Surf Music

20 Selected Songs

Surf Music History

An Intro to Surf Rock

https://www.themanual.com/culture/intro-to-surf-rock/

Surf Music History

https://en.wikipedia.org/wiki/Surf_music

Surf music (also called surf rock or surf pop) is rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1962 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.


Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin'", in 1961, launched the surf music craze, inspiring many others to take up the approach.

The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfing sounds [with] surfing lyrics. In other words, the music wasn't surfing music. The words made them surfing songs. That was the difference ... the real surfing music is instrumental."

Form

Surf music emerged in the late 1950s as instrumental rock and roll music, almost always in straight 4/4 (common) time, with a medium to fast tempo. The sound was dominated by electric guitars which were particularly characterized by the extensive use of the "wet" spring reverb that was incorporated into Fender amplifiers from 1961, which was meant to emulate the sound of waves. The outboard separate Fender Reverb Unit that was developed by Fender in 1961 (as opposed to reverb that was incorporated as a built-in amp feature) was the actual first "wet" surf reverb tone. This unit is the reverb effect heard on Dick Dale records, and others such as "Pipeline" by the Chantays and "Point Panic" by the Surfaris. It has more of a wet "plucky" tone than the "built in" amp reverb, due to different circuitry.

Guitarists also made use of the vibrato arm on their guitars to bend the pitch of notes downward, electronic tremolo effects and rapid (alternating) tremolo picking. Guitar models favored included those made by Fender (particularly the Jazzmaster, Jaguar and Stratocaster), Mosrite, Teisco, or Danelectro, usually with single coil pickups (which had high treble in contrast to double-coil humbucking pickups). Surf music was one of the first genres to universally adopt the electric bass, particularly the Fender Precision Bass. Classic surf drum kits tended to be Rogers, Ludwig, Gretsch or Slingerland. Some popular songs also incorporated a tenor or baritone saxophone, as on the Lively Ones' "Surf Rider" (1963) and the Revels' "Comanche" (1961). Often an electric organ or an electric piano featured as backing harmony.

History

By the early 1960s, instrumental rock and roll had been pioneered successfully by performers such as Link Wray, Nokie Edwards and the Ventures and Duane Eddy. This trend was developed by Dick Dale, who added Middle Eastern and Mexican influences, the distinctive reverb (giving the guitar a "wet" sound), and the rapid alternate picking characteristic of the genre (influenced by Arabic music, which Dale learnt from his Lebanese uncle). His performances at the Rendezvous Ballroom in Balboa, California, during the summer of 1961, and his regional hit "Let's Go Trippin'" later that year, launched the surf music craze, which he followed up with hits like "Misirlou" (1962).

While Dick Dale was crafting his new sound in Orange County, the Bel-Airs were crafting their own in the South Bay region of Los Angeles County. The band was composed of five teen-aged boys. In 1959 they were still learning to play their instruments: Dick Dodd on drums, Chas Stuart on saxophone, Jim Roberts on piano, and Eddie Bertrand and Paul Johnson on guitars. Said Johnson of his relationship with Bertrand, "Learning the guitar became a duo experience versus a solo thing. We learned to play by playing together, one guy would play the chords, the other would play the lead. This sound would become the basis for the Bel-Airs." They recorded their first single, "Mr. Moto", in June 1961 (with Richard Delvy on drums instead of Dodd) and the song received radio airplay that summer. Dale was older, played louder, commanded a larger audience, and usually gets credit for creating surf music, but the Bel-Airs lay claim to having the first surf music single.

Like Dale and his Del-Tones, most early surf bands were formed in Southern California, with Orange County in particular having a strong surf culture, and the Rendezvous Ballroom hosted many surf-styled acts. Groups such as the Bel-Airs (whose hit "Mr. Moto", influenced by Dale's earlier live performances, was released slightly before "Let's Go Trippin'"), the Challengers (with their album Surfbeat) and then Eddie & the Showmen followed Dale to regional success.

The Chantays scored a top-ten national hit with "Pipeline", reaching number four in May 1963. Probably the single-most famous surf tune hit was "Wipe Out" by the Surfaris, with its intro of a wicked laugh; the Surfaris were also known for their cutting-edge lead guitar and drum solos, and "Wipe Out" reached number two on the Hot 100 in August 1963 and number 16 in October 1966. The group also had two other global hits, "Surfer Joe" and "Point Panic".

1961 - Dick Dale - Let's Go Trippin'

1961 - Dick Dale - Let's Go Trippin'

Play Song

Richard Anthony Monsour (May 4, 1937 - March 16, 2019)
https://en.wikipedia.org/wiki/Dick_Dale

The Del-Tones Band Members

• Dick Dale
• Ron Eglit
• Ron Fish
• Carl Verhein

Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics.

His regional hit "Let's Go Trippin'", in 1961, launched the surf music craze, inspiring many others to take up the approach.

His style and music influenced guitarists such as Jimi Hendrix, Pete Townshend, Eddie Van Halen and Brian May.

Working together with Leo Fender, Dale also pushed the limits of electric amplification technology.

In "Rolling Stone's 100 Greatest Guitarists of All Time", Dale was ranked 31st in 2003 and 74th in the 2011 revision.

Dale began playing in local country western rockabilly bars where he met Texas Tiny in 1955, who gave him the name "Dick Dale" because he thought it was a good name for a country singer.

Dale's performances at the Rendezvous Ballroom in Balboa in mid to late 1961 are credited with the creation of the surf music phenomenon. Dale obtained permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor where he performed made him seek other venues. The Rendezvous ownership and the city of Newport Beach agreed to Dale's request on the condition that he prohibit alcohol sales and implement a dress code. Dale's events at the ballrooms, called "stomps," quickly became legendary, and the events routinely sold out.

"Let's Go Trippin'" is one of the first surf rock songs. This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was Surfers' Choice in 1962. The album was picked up by Capitol Records and distributed nationally, and Dale soon began appearing on The Ed Sullivan Show, and in films where he played his signature single "Misirlou". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started cranking on that mother. And ... it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp." His second album was named after his performing nickname, "King of the Surf Guitar".

He retired from music for several years. In 1979, he almost lost a leg after a pollution-related infection of a mild swimming injury.

He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie Back to the Beach, playing surf music and performing "Pipeline" with Stevie Ray Vaughan.

The use of "Misirlou" in the 1994 Quentin Tarantino film Pulp Fiction gained him a new audience.

The same year, he recorded a surf-rock version of Camille Saint-Saëns's "Aquarium" from The Carnival of the Animals for the musical score of the enclosed roller coaster, Space Mountain at Disneyland in Anaheim, California.

Dale said that he was forced to keep touring to the end of his life, because of his inability to afford his medical costs. He had many health issues, including diabetes, kidney failure, and vertebrae damage that made performing excruciatingly painful. At the time of his death, Dale had tour dates scheduled into November 2019.


Dale was married three times: 1970's, 1986, and 2011.

He said that he never used alcohol or other drugs, for health reasons, and discouraged their use by band members and road crew. In 1972, he stopped eating red meat. He studied Kenpo karate for over 30 years. In early 2008, he experienced a recurrence of colorectal cancer and completed a surgical, chemotherapy, and radiation treatment regimen.

Dale died in Loma Linda, California on March 16, 2019, at the age of 81. He was treated for heart failure and kidney failure prior to his death.

1961 - The Beach Boys - Surfin'

1961 - The Beach Boys - Surfin'

Play Song

Wikipedia

Released: December 8, 1961

Band Members:

Brian Wilson
Dennis Wilson
Carl Wilson
Mike Love (Wilson's cousin)
Al Jardine (Friend)

Partial Song List:

• Surfin' - Released: December 8, 1961
• Surfer Girl - Released: July 22, 1963
• Fun, Fun, Fun' (1964)
• I Get Around (1964)
• California Girls (1965)
• Help Me Rhonda - Released March 1965 on the album The Beach Boys Today!
• Good Vibrations (1966) This became the Beach Boys' first No. 1 since 1964's "Help Me Rhonda"
  - and their last until 1988's "Kokomo."
• Wouldn't It Be Nice (1966 - Pet Sounds)
• God Only Knows (1966 - Pet Sounds)
• Sloop John B. (1966) - "Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's The American Songbag in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B".

The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent themes, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and under Brian's direction, often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.

One of the first self-contained rock groups, the Beach Boys began as a garage band, managed by the Wilsons' father Murry, and with Brian as composer, arranger, producer, and de facto leader. In 1963, they had their first national hit with "Surfin' U.S.A.", beginning a string of top-ten singles that reflected a southern California youth culture of surfing, cars, and romance, dubbed the "California sound". They were one of the few American rock bands to sustain their commercial standing during the British Invasion. Starting with 1965's The Beach Boys Today!, they abandoned beachgoing themes for more personal lyrics and ambitious orchestrations. In 1966, the Pet Sounds album and "Good Vibrations" single raised the group's prestige as rock innovators; they also formed Brother Records, Inc., a corporation that continues to oversee affairs related to the band's legacy. After scrapping the Smile album in 1967, Brian's contributions diminished due to his mental health issues.

In the late 1960s, the group's commercial momentum faltered in the US, and despite efforts to maintain an experimental sound, they were widely dismissed by the early rock music press. Carl took over as the band's musical leader, with records from this period later enjoying a cult following among fans. Following the mid-1970s, as their concerts drew larger audiences, the band transitioned into an oldies act. Dennis drowned in 1983 and Brian soon became estranged from the group. Following Carl's death from lung cancer in 1998, the band granted Love legal rights to tour under the group's name. As of 2020, Brian and Jardine do not perform with Love's edition of the Beach Boys, but remain official members of the band.

The Beach Boys are one of the most critically acclaimed and commercially successful bands of all time, with over 100 million records sold worldwide. They helped legitimize popular music as a recognized art form and influenced the development of music genres and movements such as psychedelia, power pop, progressive rock, punk, alternative, and lo-fi. Between the 1960s and 2010s, the group had 36 songs reach the US Top 40 (the most by an American band), with four topping the Billboard Hot 100. In 2004, Rolling Stone ranked the Beach Boys number 12 on its list of the greatest artists of all time. The founding members were inducted into the Rock and Roll Hall of Fame in 1988.

History

1958-1961: Formation

At the time of his 16th birthday on June 20, 1958, Brian Wilson shared a bedroom with his brothers, Dennis and Carl - aged 13 and 11, respectively - in their family home in Hawthorne. He had watched his father, Murry Wilson, play piano, and had listened intently to the harmonies of vocal groups such as the Four Freshmen. After dissecting songs such as "Ivory Tower" and "Good News", Brian would teach family members how to sing the background harmonies. For his birthday that year, Brian received a reel-to-reel tape recorder. He learned how to overdub, using his vocals and those of Carl and their mother. Brian played piano with Carl and David Marks, an eleven-year-old longtime neighbor, playing guitars they had each received as Christmas presents.

Soon Brian and Carl were avidly listening to Johnny Otis' KFOX radio show. Inspired by the simple structure and vocals of the rhythm and blues songs he heard, Brian changed his piano-playing style and started writing songs. Family gatherings brought the Wilsons in contact with cousin Mike Love. Brian taught Love's sister Maureen and a friend harmonies. Later, Brian, Love and two friends performed at Hawthorne High School. Brian also knew Al Jardine, a high school classmate. Brian suggested to Jardine that they team up with his cousin and brother Carl. Love gave the fledgling band its name: "The Pendletones", a pun on "Pendleton", a style of woolen shirt popular at the time. Dennis was the only avid surfer in the group, and he suggested that the group write songs that celebrated the sport and the lifestyle that it had inspired in Southern California. Brian finished the song, titled "Surfin'", and with Mike Love, wrote "Surfin' Safari". Murry recalled, "They had written a song called 'Surfin'', which I never did like and still don't like, it was so rude and crude."

Murry Wilson, who was a sometime songwriter, arranged for the Pendletones to meet his publisher Hite Morgan. He said: "Finally, [Hite] agreed to hear it, and Mrs. Morgan said 'Drop everything, we're going to record your song. I think it's good.' And she's the one responsible." On September 15, 1961, the band recorded a demo of "Surfin'" with the Morgans. A more professional recording was made on October 3, at World Pacific Studio in Hollywood. David Marks was not present at the session as he was in school that day. Murry brought the demos to Herb Newman, owner of Candix Records and Era Records, and he signed the group on December 8. When the single was released a few weeks later, the band found that they had been renamed "the Beach Boys". Candix wanted to name the group the Surfers until Russ Regan, a young promoter with Era Records, noted that there already existed a group by that name. He suggested calling them the Beach Boys. "Surfin'" was a regional success for the West Coast, and reached number 75 on the national Billboard Hot 100 chart. It was so successful that the number of unpaid orders for the single bankrupted Candix.

1962-1967: Peak Years

By this time the de facto manager of the Beach Boys, Murry landed the group's first paying gig (for which they earned $300) on New Year's Eve, 1961, at the Ritchie Valens Memorial Dance in Long Beach. In their earliest public appearances, the band wore heavy wool jacket-like shirts that local surfers favored before switching to their trademark striped shirts and white pants. In early 1962, Morgan requested that some of the members add vocals to a couple of instrumental tracks that he had recorded with other musicians. This led to the creation of the short-lived group Kenny & the Cadets, which Brian led under the pseudonym "Kenny". The other members were Carl, Jardine, and the Wilsons' mother Audree. In February, Jardine left the Beach Boys to study dentistry and was replaced by David Marks. Murry remembered that after "Surfin'", the group had a difficult time being picked up by another label; "they [all] thought [the group was] a one-shot record."

After being turned down by Dot and Liberty, the Beach Boys signed a seven-year contract with Capitol Records. This was at the urging of Capitol executive and staff producer Nick Venet who signed the group, seeing them as the "teenage gold" he had been scouting for. On June 4, 1962, the Beach Boys debuted on Capitol with their second single, "Surfin' Safari" backed with "409". The release prompted national coverage in the June 9 issue of Billboard, which praised Love's lead vocal and said the song had potential. "Surfin' Safari" rose to number 14 and found airplay in New York and Phoenix, a surprise for the label.

The Beach Boys completed their first album, Surfin' Safari, with production credited to Nick Venet. Carl later denied that Venet had any significant role in the group's early music, saying that Venet "would be in the booth, and he would call the take number, and that was about it. I wouldn't call him a musical heavy by any ... Brian didn't want anything to do with Venet." Surfin' Safari, released in October 1962, was different from other rock albums of the time in that it consisted almost entirely of original songs, primarily written by Brian with Mike Love and friend Gary Usher. Another unusual feature of the Beach Boys was that, although they were marketed as "surf music", their repertoire bore little resemblance to the music of other surf bands, which was mainly instrumental and incorporated heavy use of spring reverb. For this reason, some of the Beach Boys' early local performances had young audience members throwing vegetables at the band, believing that the group was poseurs.

In January 1963, the Beach Boys recorded their first top-ten single, "Surfin' U.S.A.", which began their long run of highly successful recording efforts. It was during the sessions for this single that Brian made the production decision from that point on to use double tracking on the group's vocals, resulting in a deeper and more resonant sound. The album of the same name followed in March and reached number 2 on the Billboard charts. Its success propelled the group into a nationwide spotlight, and was vital to launching surf music as a national craze, albeit the Beach Boys' vocal approach to the genre, not the original instrumental style pioneered by Dick Dale. Biographer Luis Sanchez highlights the "Surfin' U.S.A." single as a turning point for the band, "creat[ing] a direct passage to California life for a wide teenage audience ... [and] a distinct Southern California sensibility that exceeded its conception as such to advance right to the front of American consciousness."

Throughout 1963, and for the next few years, Brian produced a variety of singles for outside artists. Among these were the Honeys, a surfer trio that comprised sisters Diane and Marilyn Rovell with cousin Ginger Blake. Brian was convinced that they could potentially be a successful female counterpart to the Beach Boys, and he produced a number of singles for them, although they could not replicate the Beach Boys' popularity. He also attended some of Phil Spector's sessions at Gold Star Studios. His creative and songwriting interests were revamped upon hearing the Ronettes' 1963 song "Be My Baby", which was produced by Spector. The first time he heard the song was while driving, and was so overwhelmed that he had to pull over to the side of the road and analyze the chorus. Later, he reflected: "I was unable to really think as a producer up until the time where I really got familiar with Phil Spector's work. That was when I started to design the experience to be a record rather than just a song."

At the beginning of a tour of the Midwest in April 1963, Jardine rejoined the Beach Boys at Brian's request. Although he had started playing live gigs again, Brian soon left the road to focus on writing and recording. The result of this arrangement produced the albums Surfer Girl, released September 16, and Little Deuce Coupe, released October 7. Surfer Girl marked the first time the group used outside musicians on a substantial portion of an LP. Many of them were the musicians Spector used for his Wall of Sound productions. The sextet incarnation of the Beach Boys did not extend beyond these two albums, as Marks officially left the band in early October because of conflict with manager Murry, pulling Brian back into touring. To close 1963, the band released a standalone Christmas-themed single, "Little Saint Nick", backed with an a cappella rendition of the scriptural song "The Lord's Prayer". The A-side peaked at No. 3 on the US Billboard Christmas chart.

Pet Sounds

In January 1966, Wilson commenced recording sessions for the Beach Boys' forthcoming album Pet Sounds, which was largely a collaboration with jingle writer Tony Asher. The album was a refinement of the themes and ideas that were introduced in Today!. In some ways, the music was a jarring departure from their earlier style. Jardine explained that "it took us quite a while to adjust to [the new material] because it wasn't music you could necessarily dance to -- it was more like music you could make love to." In The Journal on the Art of Record Production, Marshall Heiser writes that Pet Sounds "diverges from previous Beach Boys' efforts in several ways: its sound field has a greater sense of depth and 'warmth;' the songs employ even more inventive use of harmony and chord voicings; the prominent use of percussion is a key feature (as opposed to driving drum backbeats); whilst the orchestrations, at times, echo the quirkiness of 'exotica' bandleader Les Baxter, or the 'cool' of Burt Bacharach, more so than Spector's teen fanfares."

For Pet Sounds, Brian desired to make "a complete statement", similar to what he believed the Beatles had done with their newest album Rubber Soul, released in December 1965. Brian was immediately enamored with the album, given the impression that it had no filler tracks, a feature that was mostly unheard of at a time when 45 rpm singles were considered more noteworthy than full-length LPs. He later said: "It didn't make me want to copy them but to be as good as them. I didn't want to do the same kind of music, but on the same level." Thanks to mutual connections, Brian was introduced to the Beatles' former press officer Derek Taylor, who was subsequently employed as the Beach Boys' publicist. Responding to Brian's request to reinvent the band's image, Taylor devised a promotion campaign with the tagline "Brian Wilson is a genius", a belief Taylor sincerely held. Taylor's prestige was crucial in offering a credible perspective to those on the outside, and his efforts are widely recognized as instrumental in the album's success in Britain.

"God Only Knows" (1966)

"God Only Knows" conditions its tonality between the keys of E and A major, which according to musicologist Stephen Downes, was innovative even in the context of the song's Baroque antecedents. It is often praised as one of the greatest songs ever written.

Released on May 16, 1966, Pet Sounds was widely influential and raised the band's prestige as an innovative rock group. Early reviews for the album in the US ranged from negative to tentatively positive, and its sales numbered approximately 500,000 units, a drop-off from the run of albums that immediately preceded it. It was assumed that Capitol considered Pet Sounds a risk, appealing more to an older demographic than the younger, female audience upon which the Beach Boys had built their commercial standing. Within two months, the label capitulated by releasing the group's first greatest hits compilation, Best of the Beach Boys, which was quickly certified gold by the RIAA. By contrast, Pet Sounds met a highly favorable critical response in Britain, where it reached number 2 and remained among the top-ten positions for six months. Responding to the hype, Melody Maker ran a feature in which many pop musicians were asked whether they believed that the album was truly revolutionary and progressive, or "as sickly as peanut butter". The author concluded that "the record's impact on artists and the men behind the artists has been considerable."

In its evaluation of Pet Sounds, the book 101 Albums that Changed Popular Music (2009) calls it "one of the most innovative recordings in rock", and states that it "elevated Brian Wilson from talented bandleader to studio genius". In 1995, a panel of numerous musicians, songwriters and producers assembled by Mojo voted Pet Sounds the greatest record ever made. Paul McCartney frequently spoke of his affinity with the album, citing "God Only Knows" as his favorite song of all time, and crediting it with furthering his interest in devising melodic bass lines. He said that Pet Sounds was the primary impetus for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. According to author Carys Wyn Jones, the interplay between the two groups during the Pet Sounds era remains one of the most noteworthy episodes in rock history. In 2003, when Rolling Stone magazine created its list of the "500 Greatest Albums of All Time", the publication placed Pet Sounds second to honour its influence on the highest-ranked album, Sgt. Pepper.

"Good Vibrations" and Smile

Throughout the summer of 1966, Brian concentrated on finishing the group's next single, "Good Vibrations". During the making of Pet Sounds, Wilson started changing his writing process. Rather than going to the studio with a completed song, he would record a track containing a series of chord changes he liked, take an acetate disc home, and then compose the song's melody and write its lyrics. With "Good Vibrations", Wilson said, "I had a lot of unfinished ideas, fragments of music I called 'feels.' Each feel represented a mood or an emotion I'd felt, and I planned to fit them together like a mosaic." Most of the song's structure and arrangement was written as it was recorded. Instead of working on whole songs with clear large-scale syntactical structures, Brian limited himself to recording short interchangeable fragments (or "modules"). Through the method of tape splicing, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. Coming at a time when pop singles were usually recorded in under two hours, it was one of the most complex pop productions ever undertaken, with sessions for the song stretching over several months in four major Hollywood studios. It was also the most expensive single ever recorded to that point, with production costs estimated to be in the tens of thousands;

In the midst of "Good Vibrations" sessions, Wilson invited session musician and songwriter Van Dyke Parks to collaborate as lyricist for the Beach Boys' next album project, soon titled Smile. Parks agreed. Wilson and Parks intended Smile to be a continuous suite of songs linked both thematically and musically, with the main songs linked together by small vocal pieces and instrumental segments that elaborated on the major songs' musical themes. It was explicitly American in style and subject, a conscious reaction to the overwhelming British dominance of popular music at the time. Some of the music incorporated chanting, cowboy songs, explorations in Indian and Hawaiian music, jazz, classical tone poems, cartoon sound effects, musique concrète, and yodeling. Saturday Evening Post writer Jules Siegel recalled that, on one October evening, Brian announced to his wife and friends that he was "writing a teenage symphony to God".

Recording for Smile lasted about a year, from mid-1966 to mid-1967, and followed the same modular production approach as "Good Vibrations". Concurrently, Wilson planned many different multimedia side projects, such as a sound effects collage, a comedy album, and a "health food" album. Capitol did not support all these ideas, which led to the Beach Boys' desire to form their own label, Brother Records. According to biographer Steven Gaines, Wilson employed his newfound "best friend" David Anderle as head of the label.

Throughout 1966, EMI flooded the UK market with previously unreleased Beach Boys albums, including Beach Boys' Party!, The Beach Boys Today! and Summer Days (and Summer Nights!!), and Best of the Beach Boys was number two there for several weeks at the end of the year. Over the final quarter of 1966, the Beach Boys were the highest-selling album act in the UK, where for the first time in three years American artists broke the chart dominance of British acts. In 1971, Cue magazine wrote that, from mid-1966 to late 1967, the Beach Boys "were among the vanguard in practically every aspect of the counter culture".

"Good Vibrations" (1966)

"Good Vibrations" was the Beach Boys' third single to top the Billboard Hot 100. It proliferated a wave of pop experimentation with its rush of riff changes, echo-chamber effects, and intricate harmonies.

Released on October 10, 1966, "Good Vibrations" was the Beach Boys' third US number-one single, reaching the top of the Billboard Hot 100 in December, and became their first number one in Britain. That month, the record was their first single certified gold by the RIAA. It came to be widely acclaimed as one of the greatest masterpieces of rock music. In December 1966, the Beach Boys were voted the top band in the world in the NME's annual readers' poll, ahead of the Beatles, the Walker Brothers, the Rolling Stones, and the Four Tops.

Throughout the first half of 1967, the album's release date was repeatedly postponed as Brian tinkered with the recordings, experimenting with different takes and mixes, unable or unwilling to supply a final version. Meanwhile, he suffered from delusions and paranoia, believing on one occasion that the would-be album track "Fire" caused a building to burn down. On January 3, 1967, Carl Wilson refused to be drafted for military service, leading to indictment and criminal prosecution, which he challenged as a conscientious objector. The FBI arrested him in April, and it took several years for courts to resolve the matter.

After months of recording and media hype, Smile was shelved for personal, technical, and legal reasons. A February 1967 lawsuit seeking $255,000 (equivalent to $1.96 million in 2019) was launched against Capitol Records over neglected royalty payments. Within the lawsuit was an attempt to terminate the band's contract with Capitol before its November 1969 expiry. Many of Wilson's associates, including Parks and Anderle, disassociated themselves from the group by April 1967. Brian later said: "Time can be spent in the studio to the point where you get so next to it, you don't know where you are with it -- you decide to just chuck it for a while."

In the decades following Smile's non-release, it became the subject of intense speculation and mystique and the most legendary unreleased album in pop music history. Many of the album's advocates believe that had it been released, it would have altered the group's direction and cemented them at the vanguard of rock innovators. In 2011, Uncut magazine staff voted Smile the "greatest bootleg recording of all time".

Friends, 20/20, and Manson affair

The Beach Boys were at their lowest popularity in the late 1960s, and their cultural standing was especially worsened by their public image, which remained incongruous with their peers' "heavier" music. Capitol continued to bill them as "America's Top Surfin' Group!" and expected Brian to write more beachgoing songs for the yearly summer markets. From 1968 onward, his songwriting output declined substantially, but the public narrative of "Brian as leader" continued. The group also stopped wearing their longtime striped-shirt stage uniforms in favor of matching white, polyester suits that resembled a Las Vegas show band's.

After meeting Maharishi Mahesh Yogi at a UNICEF Variety Gala in Paris, Love and other high-profile celebrities such as the Beatles and Donovan traveled to Rishikesh, India, in February-March 1968. The following Beach Boys album, Friends, had songs influenced by the Transcendental Meditation the Maharishi taught. In support of Friends, Love arranged for the Beach Boys to tour with the Maharishi in the U.S.. Starting on May 3, 1968, the tour lasted five shows and was canceled when the Maharishi withdrew to fulfill film contracts. Because of disappointing audience numbers and the Maharishi's withdrawal, 24 tour dates were canceled at a cost estimated at $250,000. Friends, released on June 24, peaked at number 126 in the US. In August, Capitol issued a collection of Beach Boys backing tracks, Stack-o-Tracks. It was the first Beach Boys LP that failed to chart in the US and UK.

Dennis in 1966

In June 1968, Dennis befriended Charles Manson, an aspiring singer-songwriter, and their relationship lasted for several months. Dennis bought him time at Brian's home studio, where recording sessions were attempted while Brian stayed in his room. Dennis then proposed that Manson be signed to Brother Records. Brian reportedly disliked Manson, and a deal was never made. In July 1968, the group released a standalone single, "Do It Again", in the style of their earlier songs. Around this time, Brian admitted himself to a psychiatric hospital. His bandmates wrote and produced material in his absence. To complete their contract with Capitol, they produced one more album, 20/20, released in January 1969. It consisted mostly of outtakes and leftovers from recent albums; Brian produced virtually none of the newer recordings. In 1976, Dennis called it "the only letdown of the Beach Boys' career that embarrassed me through and through ... we had to find things that Brian worked on and try and piece it together. That's when [he had] no involvement at all."

The Beach Boys recorded one song by Manson without his involvement: "Cease to Exist", rewritten as "Never Learn Not to Love", which was on 20/20 but first released as the B-side of a single one month earlier. Manson was enthused by the idea of the group recording one of his songs, but after Manson accrued a large monetary debt to the group, Dennis deliberately omitted his credit on its release while also altering the song's arrangement and lyrics, which angered Manson. As his cult of followers took over Dennis's home, Dennis gradually distanced himself from Manson. According to Leaf, "The entire Wilson family reportedly feared for their lives."

In August, the Manson Family committed the Tate-LaBianca murders. According to Jon Parks, the band's tour manager, it was widely suspected in the Hollywood community that Manson was responsible for the murders, and it had been known that Manson had been involved with the Beach Boys, causing the band to be viewed as pariahs for a time. In November, police apprehended Manson, and his connection with the Beach Boys received media attention. He was later convicted for several counts of murder and conspiracy to murder.

In July 1971, the Beach Boys filmed a concert for ABC-TV in Central Park. It aired as Good Vibrations from Central Park on August 19, 1971. The concert also featured performances by Boz Scaggs, Kate Taylor, Carly Simon, and Ike & Tina Turner.

On August 30, 1971, the band released Surf's Up, which included the title track. The album was moderately successful, reaching the US top 30, a marked improvement over their recent releases. While the record charted, the Beach Boys added to their renewed fame by performing a near-sellout set at Carnegie Hall; their live shows during this era included reworked arrangements of many of their previous songs, with their set lists culling from Pet Sounds and Smile. Music writer Domenic Priore noted, "They basically played what they could have played at the Monterey Pop Festival in the summer of 1967." Dennis injured his hand during the Surf's Up sessions, leaving him temporarily unable to play the drums.

"Brian's Back!", 15 Big Ones, and Love You

Brian wanted to be left alone, but there was too much at stake. If you've got an oil well, you don't want it to wander off and become someone else's oil well.

Brian spent the majority of two years secluded in the chauffeur's quarters of his home, abusing alcohol, taking drugs (including heroin), overeating, and exhibiting other self-destructive behavior. Although increasingly reclusive during the day, he spent many nights at singer Danny Hutton's house, fraternizing with colleagues such as Alice Cooper and Iggy Pop. In 1975, Brian attempted to join California Music, a Los Angeles collective that included Gary Usher, Curt Boettcher, and Bruce Johnston. The Beach Boys' recent Endless Summer compilation was selling well, and the band was touring nonstop, making them the biggest live draw in the US. Guercio was then fired by the group and replaced by Steve Love, who urged the group to encourage Brian to return to the production helm. According to Steve, "We were under contract with Warner Bros. and we couldn't have him going on a tangent. If he was going to be productive, it's gotta be for the Beach Boys." Already tired of working with the Beach Boys, Brian was then legally ousted from California Music to focus his attention on the band. In October, Marilyn persuaded him to admit himself to the care of psychotherapist Eugene Landy, who kept him from indulging in substance abuse with constant supervision.

At the end of January 1976, the Beach Boys returned to the studio with an apprehensive Brian producing once again. At the time, he felt, "It was a little scary because [the Beach Boys and I] weren't as close. We had drifted apart personality-wise. A lot of the guys had developed new personalities through meditation.... But we went into the studio with the attitude that we had to get it done." Landy supervised group meetings, and discussions over each song for the record reportedly lasted up to eight hours. Brian decided the band should do an album of rock and roll and doo wop standards. Carl and Dennis disagreed, feeling that an album of originals was far more ideal, while Love and Jardine wanted the album out as quickly as possible. Brian's production role was undermined as group members overdubbed and remixed tracks without his knowledge, to fight against his desire for a rough, unfinished sound. He later attributed his hoarse voice on the album to a bout of laryngitis.

Released on July 5, 1976, 15 Big Ones was generally disliked by fans and critics upon release. Its lead single, a cover of Chuck Berry's "Rock and Roll Music", peaked at number five. Carl and Dennis disparaged the album to the press. Dennis said, "It was a great mistake to put Brian in full control. He was always the absolute producer, but little did he know that in his absence, people grew up, people became as sensitive as the next guy. Why do I relinquish my rights as an artist? The whole process was a little bruising." Brian said, "the new album is nothing too deep", but remained hopeful that their next release would be on a par with "Good Vibrations". An August 1976 NBC-TV special, The Beach Boys, was produced by Saturday Night Live creator Lorne Michaels, and featured appearances by SNL cast members John Belushi and Dan Aykroyd. In December, Brian was released from Landy's program due to disputes over Landy's fee.

From late 1976 to early 1977, Brian made sporadic public appearances and produced the band's next album, The Beach Boys Love You, a collection of 14 songs mostly written, arranged and produced alone. He later called Love You one of his favorite Beach Boys releases, saying, "That's when it all happened for me. That's where my heart lies." The album's engineer, Earle Mankey, compared it to the surrealist film Eraserhead, and said that while it was "lighthearted" on the surface, it was intended to be a "serious, autobiographical work". In Pitchfork, D. Erik Kempke wrote that the album "stands in sharp contrast to the albums that preceded and followed it, because it was a product of genuine inspiration on Brian Wilson's part, with little outside interference." Al Jardine credited Carl and Dennis with having "the most to do with that album ... [they were] paying tribute to their brother."

1980s: Dennis' death, Brian's estrangement, and "Kokomo"

After departing Reprise, the Beach Boys signed with CBS Records. They received a substantial advance and were paid $1 million per album even as CBS deemed their preliminary review of the band's first product, L.A. (Light Album) as unsatisfactory. Faced with the realization that Brian was unable to contribute, the band recruited Johnston as producer. The result paid off, as "Good Timin'" became a top 40 single. The group enjoyed moderate success with a disco reworking of the Wild Honey song "Here Comes the Night", followed by Jardine's "Lady Lynda". The album was followed in 1980 by Keepin' the Summer Alive, with Johnston once again producing. Dennis was absent for most of this album.

In an April 1980 interview, Carl reflected that "the last two years have been the most important and difficult time of our career. We were at the ultimate crossroads. We had to decide whether what we had been involved in since we were teenagers had lost its meaning. We asked ourselves and each other the difficult questions we'd often avoided in the past." By the next year, he left the touring group because of unhappiness with the band's nostalgia format and lackluster live performances, subsequently pursuing a solo career. He stated: "I haven't quit the Beach Boys but I do not plan on touring with them until they decide that 1981 means as much to them as 1961."

Carl returned in May 1982, after approximately 14 months of being away, on the condition that the group reconsider their rehearsal and touring policies and refrain from "Las Vegas-type" engagements. Later that year, Brian overdosed on a combination of alcohol, cocaine, and other psychoactive drugs. His former therapist Eugene Landy was once more employed, and a more radical program was undertaken to try to restore Brian to health. This involved removing him from the group on November 5, 1982, at the behest of Carl, Love, and Jardine, in addition to putting him on a rigorous diet and health regimen. Coupled with long, extreme counseling sessions, this therapy was successful in bringing Brian back to physical health, slimming down from 311 pounds (141 kg) to 185 pounds (84 kg).

1961 - Revels - Intoxica

1961 - Revels - Intoxica

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Band Members

• Dan Darnold: guitar, vocals
• Sam Eddy: piano
• Ron Fanunkin: saxophone
• Norman Knowles: saxophone
• Jim Macrae: drums
• Gil Serna: guitar

The group started in the mid-to-late 1950s as a high school band in San Luis Obispo, California. They were originally called Gil Serna & The Rockets before changing their name to The Revels in 1959. Although their instrumental style predated the 1961-65 era of surf music, their success came during that period.

They are usually considered a "pre-surf" band and were the original Central California coastal instrumental band. Other bands from the area later included the more popular groups named The Sentinals and The Impacts.

Some of The Revels singles were collected on their sole album, Revels on a Rampage (1964) which was produced by Anthony John Hilder with the assistance of Howard Bowers and Norman Knowles.

Their 1961 song "Comanche" which was written by Robert Hafner has been featured on two soundtracks. It first appeared as the "Detoured Theme" in The Exiles. It was later included along with several other surf music hits on the soundtrack of the film, Pulp Fiction (1994).

The group had been playing and appearing locally since 1957. They were originally part of a larger San Luis Obispo High dance band. From that a smaller group was formed to play Rock 'n' Roll. Their career took off when Norman Knowles took over as leader and changed their name from Gil Serna and The Rockets to The Revels.

Gil Serna & The Rockets

They were five members who were part of an 18-piece San Luis Obispo high school dance band called The Dreamers. Breaking away from the band, they formed Gil Serna & The Rockets. This happened around Norman Knowles' third year at San Luis Obispo. He and the other members wanted to form their own combo to perform and dances and parties and make some money as well. An early line-up of the performing band Gil Serna & The Rockets, consisted of Gil Serna on guitar, Sam Eddy on piano, Dan Darnold on guitar, Jim Macrae on drums and Knowles on sax. In 1957, there was a line up made up of Norman Knowles, Gil Serna, Jim Macrae, Dan Darnold and Ron Fanunkin. With his graduation behind him and now a married man, Knowles was eventually elected as band leader in late 1958. Knowles was already handling a good deal of the band's bookings and business affairs. In early 1959, Knowles changed the name of the group to The Revels.

1962 - Chantays - Pipeline

July 1962 - Chantays - Pipeline

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The tune was originally called "Liberty's Whip" after The Man Who Shot Liberty Valance

Band Members

• Bob Spickard - guitar: original member
• Brian Carman (born Brian Craig Carman; August 10, 1945 - March 1, 2015) - guitar: original member
• Bob Welch - drums: original member (not the Fleetwood Mac member).
• Warren Waters - bass guitar: original member
• Rob Marshall - piano: original member
• Ricky Lewis - guitar: longtime member
• Gil Orr (July 17, 1938 - September 19, 2017) - guitar/bass guitar: longtime member
• Brian Nussle - bass guitar: longtime member
  
  

The Chantays were formed in 1961 by five high-school friends. Bob Spickard, Brian Carman (co-writers of "Pipeline"), Bob Welch, Warren Waters and Rob Marshall were all students at Santa Ana High School in California. In December 1962, the group recorded and released "Pipeline", which peaked at No. 4 on the Billboard Hot 100 in May 1963. The track also peaked in the UK Singles Chart in 1963 at No. 16. The Chantays recorded their first album in 1963, also titled Pipeline, which included "Blunderbus" and "El Conquistador". Their follow-up album was Two Sides of the Chantays in 1964.

The Chantays toured Japan and the United States, joining the Righteous Brothers and Roy Orbison on a few occasions, and they were the only rock and roll band to perform on The Lawrence Welk Show.

"Pipeline" (published as sheet music in 1962 by Downey Music Publishing) has become one of several surf rock hits. The tune has since been covered by Bruce Johnston, Welk (on the Dot album Scarlet O'Hara), Al Caiola (on the United Artists album Greasy Kid Stuff), the Ventures, Takeshi Terauchi & Blue Jeans, Agent Orange, Hank Marvin, Lively Ones, Pat Metheny, Dick Dale with the help of Stevie Ray Vaughan (Grammy Nominated), by the thrash metal band Anthrax, Bad Manners and Johnny Thunders. "Pipeline" has been used in many films, television programs and commercials, and appears on numerous compilation albums.

The Chantays have been honored for their contributions to music. Highlights include being honored on April 12, 1996, by Hollywood's Rock Walk, that was founded to honor individuals and bands that have made lasting and important contributions to music. "Pipeline" is listed as one of the 500 Songs that Shaped Rock and Roll. Along with Bill Medley of the Righteous Brothers and Diane Keaton, the Chantays were honored by the City of Santa Ana, California, and Santa Ana High School when they named a street after them, Chantays Way. OC Weekly magazine also named the Chantays as one of the Best Orange County Bands.

The Chantays are still playing. Original members Bob Spickard and Bob Welch are joined by longtime members Ricky Lewis and Brian Nussle. More recent albums include The Next Set (live recording) and Waiting for the Tide. Some of the tracks are the new songs "Crystal T" and "Killer Dana", along with remakes of "Pipeline", "El Conquistador" and "Blunderbus".

Brian Carman died at his home in Santa Ana, California, from complications of Crohn's disease on March 1, 2015. He was 69. Another longtime member Gil Orr died on September 19, 2017. He was 79.

1962 - Dick Dale - Misirlou

1962 - Dick Dale - Misirlou

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Origins in the Ottoman Empire - https://en.wikipedia.org/wiki/Misirlou

Born May 4, 1937 - Boston, Massachusetts, U.S.

Died March 16, 2019 (aged 81) - Loma Linda Hospital, Loma Linda, California, U.S.

"Misirlou" (Greek: Μισιρλού < Turkish: Mısırlı 'Egyptian' < Arabic: مصر‎ Miṣr 'Egypt') is a folk song from the Eastern Mediterranean region, with origins in the Ottoman Empire. The original author of the song is not known, but Arabic, Greek and Jewish musicians were playing it by the 1920s. The earliest known recording of the song is a 1927 Greek rebetiko/tsifteteli composition influenced by Middle Eastern music. There are also Arabic belly dancing, Armenian, Persian, Indian and Turkish versions of the song. This song was popular from the 1920s onwards in the Arab American, Armenian American and Greek American communities who settled in the United States as part of the Ottoman diaspora.

The song was a hit in 1946 for Jan August, an American pianist and xylophonist nicknamed "the one-man piano duet". It gained worldwide popularity through Dick Dale's 1962 American surf rock version, originally titled "Miserlou", which popularized the song in Western popular culture; Dale's version was influenced by an earlier Arabic folk version played with an oud. Various versions have since been recorded, mostly based on Dale's version, including other surf and rock versions by bands such as the Beach Boys, the Ventures, Consider the Source, and the Trashmen, as well as international orchestral easy listening (exotica) versions by musicians such as Martin Denny and Arthur Lyman. Dale's surf rock version later gained renewed popularity when director Quentin Tarantino used it in his 1994 film Pulp Fiction, and again when it was sampled in the Black Eyed Peas' song "Pump It" (2006).

1962 - Sentinals - Tor-Chula

1962 - Sentinals - Tor-Chula

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Surf-Sentinals-Torchula(2-08).mp3 (1962)
Surf-Sentinals-LatinSoul(2-01).mp3 (1962)

Band Members

• John Barbata: drums, 1961-66
• Ron Gornell: organ, 1965-66
• Peter Graham: guitar, 1961-66
• Kenny Hinkle: bass, 1962-66
• Bobby Holmquist: saxophone, 1961-64
• Norman Knowles: saxophone, 1965-66
• Lee Michaels (Michael Olsen): organ, vocals, 1966
• Tommy Nunes: guitar 1961-66
• Ronnie Page: vocals, 1966
• John Ryan: bass
• Harry Sackrider: guitar, 1964-65
• Mike Scott: drums
• Gary Winburne: bass, 1961-63

The Sentinals were a surf rock band from San Luis Obispo, California (1961-1965). The band is notable for a Latino influence in some works, such as "Latin'ia" (1962). Notable band members included Tommy Nunes, drummer John Barbata (later of The Turtles and Jefferson Starship) and Lee Michaels (then known as Michael Olsen) on keyboards.

1960s

In the summer of 1962, the group toured the country and opened for bands including The Coasters and The Righteous Brothers. Also that year, through Norman Knowles, the group came across Tony Hilder, whose company Anthony Music would later become involved in legal action with Del-Fi records, slapping the label with a $122,000 lawsuit as a result of royalties not being paid. This was relating to an alleged agreement for the masters of albums by The Sentinels, The Centurians, Dave Myers and the Surftones, etc.

In 1963 the band was featured in the March 16 issue of Central Coast Living section of The Tribune. Kenny Hinkle was pictured on the cover. Also that year, their Big Surf album was released on the Del-Fi label.

According to Robert J. Dalley's book Surfin' Guitars: Instrumental Surf Bands of the Sixties, the 1965 line up consisted of John Barbata, Ron Gornell, Kenny Hinkle, Norman Knowles, and Tommy Nunes.

1970s to 1980s

In August 1984, they got together and played at the San Luis Obispo Officer's Club. This live reunion was for their twenty-year class reunion.

1990s to present

In 1996, Del-Fi released the Big Surf Hits various artists compilation album, featuring their track "Big Surf". Other artists on the album were The Impacts, Dave Myers and The Surftones and The Lively Ones.

1962 - Sentinals - Latinia

1962 - Sentinals - Latinia

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Surf-Sentinals-LatinSoul(2-01).mp3 (1962)
Surf-Sentinals-Torchula(2-08).mp3 (1962)

The Sentinals were a surf rock band from San Luis Obispo, California (1961-1965).

The band is notable for a Latino influence in some works, such as "Latin'ia" (1962).

Notable band members included Tommy Nunes, drummer John Barbata (later of The Turtles and Jefferson Starship) and Lee Michaels (then known as Michael Olsen) on keyboards.

1962 - Tornadoes - Bustin' Surfboards

1962 - Tornadoes - Bustin' Surfboards

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The Tornadoes were an American surf band from Redlands, California. They were the second band to receive national airplay with a surf instrumental, after The Marketts, with their song "Bustin' Surfboards", released on Aertaun Records in 1962. "Bustin' Surfboards" has since become a classic and mainstay of the surf genre. One of its distinctions, and appeals, was that the song opened with the sound of an ocean swell that continued throughout the song, thereby creating a sense of being at a beach. The album with the same name was belatedly released on September 20, 1963. The band, however, did not manage to follow up on their success. Their song "Shootin' Beavers" was banned from airplay because of its suggestive title. The band temporarily changed their name to The Hollywood Tornadoes, because the British band, The Tornados, were charting with the song "Telstar."

"Bustin' Surfboards" was included on the Pulp Fiction soundtrack in 1994, thereby renewing interest in the band. The Tornadoes continued to perform through 2007. Members as of 2007 (including four members of the original band) were brothers Gerald (bass) and Norman "Roly" Sanders (lead guitar), their cousin Jesse Sanders (rhythm guitar), Leonard Delaney (drums) and Joel Willenbring (saxophone).

In 2005, they released a CD called Now and Then on the Crossfire Publications label containing 29 tracks, including live recordings from their performance at the Zappanale concert in Germany in 2003, cuts from a 1998 CD,and two new recordings. The 2006 Crossfire Publications CD Charge Of The Tornadoes featured more of their '60s masters and Zappanale performances.

The band announced on their website that they would retire and cease performing as of November 2008, but the band has since decided to continue. During a conversation with Crossfire Publications head, Greg Russo, on July 13, 2014, Tornadoes leader Gerald Sanders confirmed that the band was still active.

Former band member Leonard Delaney died on October 5, 2014, aged 71, in San Bernardino, California, from complications of Alzheimer's disease.

1963 - Astronauts - Baja

1963 - Astronauts - Baja

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The Astronauts were an American rock and roll band, who had a minor hit in 1963 with "Baja" and remained successful for several years, especially in Japan. They have been described as being, "along with...(the) Trashmen, the premier landlocked Midwestern surf group of the '60s." For most of their career, the band members were Rich Fifield, Jon "Storm" Patterson, Bob Demmon, Dennis Lindsey, and Jim Gallagher.

Career

The Astronauts developed out of a group, The Stormtroupers, which was originally formed at Boulder High School, Boulder, Colorado in 1956 by Jon "Storm" Patterson (vocals, guitar), Robert Graham "Bob" Demmon (guitar; born February 11, 1939), and Brad Leach (drums).

In 1961, they became The Astronauts after adding Richard Otis "Rich" Fifield (vocals, guitar) and Dick Sellars (guitar), the change of band name recognising the fascist connotations of the previous name (despite the different spelling) and to pay tribute to local hero, astronaut Scott Carpenter. Patterson switched to bass, Leech was replaced on drums by Jim Gallagher, and soon afterwards Sellars left to join the US Navy, being replaced by Dennis Lindsey. With a line-up of Demmon, Patterson, Fifield, Lindsey and Gallagher, the band gained a strong local reputation, toured as far as Chicago and Dallas, Texas, and released their first single, "Come Along Baby", in 1962, on the small Palladium label. They were signed to RCA Records after a record company executive was impressed by their performance at a local night club, the Tulagi.

Their first single on RCA was "Baja", an instrumental written by Lee Hazlewood originally for his friend, guitarist Al Casey. Released by The Astronauts in early 1963, the track was described as "a typical surf instrumental with a reverberation-heavy twangy guitar and driving drumbeat", and reached # 94 on the Billboard Hot 100 for just one week, the pinnacle of their US chart career. However, they released a succession of further singles on RCA, in an attempt by the record company to emulate the success of the Beach Boys and other surf music-related groups in the charts at the time. According to reviewer Richie Unterberger, "the group shone brightest on their instrumentals, which used mounds of Fender reverb and two rhythm guitars; when they sang, the results were much less successful." Patterson and Fifield shared lead vocals, and the band recorded songs by Roger Christian, Gary Usher, Dick Dale and Henry Mancini, among others. Fifield, the lead guitarist, used a Fender Jazzmaster on the recordings, with an early prototype reverb unit personally loaned to the group by Leo Fender. Their 1965 song "Tomorrow's Gonna Be Another Day was covered by The Monkees in 1966.

As well as a succession of singles and EPs, the band released four LPs over nine months, starting in May 1963: Surfin' with The Astronauts - which reached # 61 on the Billboard 200 album chart - Everything Is A-OK! (recorded live at the Club Baja in Denver, Colorado), Competition Coupe, and The Astronauts Orbit Campus (recorded live in Boulder).

They appeared several times on the Hullabaloo TV show, and have the distinction of appearing in more beach party movies than any other surf band: Surf Party, Wild on the Beach, Wild Wild Winter and Out of Sight. Regarding the band's performance in 1964's Surf Party, the book Pop Surf Culture states "The Astronauts bang out a thick, reverb-laden instrumental called 'Firewater,' and their theme song 'Surf Party' happens to be one of the best surf instrumentals ever recorded."

In 1964, their record company discovered that they had a growing fan base in Japan, where they outsold The Beach Boys and toured with The Ventures. Five albums and three singles made the top 10 there, with "Movin'" - retitled as "Over The Sun" - reaching number one in the country.

In all, they recorded nine albums. Gallagher and Lindsey were drafted for Vietnam before the last album, Travelin' Men in 1967, and were replaced by Mark Bretz and Rod Jenkins respectively. Demmon also left, being replaced by Robert Carl McLerran, before Fifield and Patterson finally decided to end the band name after a tour of Asia in 1968.

Reunion

The Astronauts reunited temporarily to perform in Boulder, Colorado, in 1974, 1988 and 1989.

1963 - BeachBoys - Surfin' USA

1963 - BeachBoys - Surfin' USA

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The Beach Boys are an American rock band formed in Hawthorne, California in 1961.

Brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine.

In 1963, they had their first national hit with "Surfin' U.S.A."

Partial Song List:

• Surfin' - Released: December 8, 1961
• Surfer Girl - Released: July 22, 1963
• Fun, Fun, Fun' (1964)
• I Get Around (1964)
• California Girls (1965)
• Help Me Rhonda - Released March 1965 on the album The Beach Boys Today!
• Good Vibrations (1966) This became the Beach Boys' first No. 1 since 1964's "Help Me Rhonda"
  - and their last until 1988's "Kokomo."
• Wouldn't It Be Nice (1966 - Pet Sounds)
• God Only Knows (1966 - Pet Sounds)
• Sloop John B. (1966) - "Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's The American Songbag in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B".

1963 - Jan & Dean - Surf City

1963 - Jan & Dean - Surf City

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William Jan Berry
Dean Ormsby Torrence
Arnold P. "Arnie" Ginsburg (Jan & Arnie - 1958)

Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 - March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys.

Among their most successful songs was 1963's "Surf City", the first surf song to top the Hot 100. Their other charting top 10 singles were "Drag City" (1963), "Dead Man's Curve" (1964) (inducted into the Grammy Hall of Fame in 2008), and "The Little Old Lady from Pasadena" (1964).

In 1972, Torrence won the Grammy Award for Best Album Cover for the psychedelic rock band Pollution's first eponymous 1971 album, and was nominated three other times in the same category for albums of the Nitty Gritty Dirt Band. In 2013, Torrence's design contribution of the Surf City Allstars' In Concert CD was named a Silver Award of Distinction at the Communicator Awards competition.

Early lives

William Jan Berry (April 3, 1941 - March 26, 2004), was born in Los Angeles to Clara Lorentze Mustad (born September 2, 1919, Bergen, Norway - died July 9, 2009) and aeronautical engineer William L. Berry (born December 7, 1909, New York City - died December 19, 2004, Camarillo, California). He was raised in Bel Air, Los Angeles.

Jan's father worked for Howard Hughes as a project manager of the "Spruce Goose" and flew on its only flight with Hughes.

Dean Ormsby Torrence (born March 10, 1940) was born in Los Angeles, the son of Natalie Ormsby (April 10, 1911 - August 10, 2008) and Maurice Dean Torrence (December 5, 1907 - November 16, 1997). His father, Maurice, was a graduate of Stanford University, and was a sales manager at the Wilshire Oil Company.

History

1957-59: Formation

Berry and Torrence met while both were students at Emerson Junior High School in Westwood, Los Angeles, and both were on the school's football team. By 1957, they were students in the class of 1958 at the nearby University High School, where again they were both on the school's football team, the Warriors. Berry and Torrence had adjoining lockers, and after football practice, they began harmonizing together in the showers with several other football players, including future actor James Brolin.

The Barons

In order to enter a talent competition at University High School, Berry and Torrence helped form a doo-wop group known as "The Barons" (named after their high school's Hi-Y club, of which they were members), which was composed of fellow University High students William "Chuck" Steele (lead singer), Arnold P. "Arnie" Ginsburg (born November 19, 1939; 1st tenor), Wallace S. "Wally" Yagi (born July 20, 1940; 2nd tenor), John 'Sagi" Seligman (2nd tenor), with Berry singing bass and Torrence providing falsetto.

During its short duration, Sandy Nelson, Torrence's neighbor, played drums, and future Beach Boy Bruce Johnston occasionally sang and played piano. The Barons rehearsed for hours in Berry's parents' garage, where Berry's father provided an upright piano and two two-track Ampex reel-to-reel tape recorders.

In 1958, the Barons performed to popular acclaim at the talent competition at University High School, covering contemporary hits like "Get a Job", "Rock and Roll is Here to Stay", and "Short Shorts". Following the contest, various members of the Barons drifted away, leaving only Berry and Torrence, who tried to write their own songs.

Jan & Arnie

After being inspired by a poster featuring a local Hollywood burlesque performer, Virginia Lee Hicks, who was then performing as Jennie Lee, the "Bazoom Girl", at the New Follies Burlesk at 548 S. Main St, Los Angeles, Ginsburg wrote a tribute song, "Jennie Lee", that he brought to Berry and Torrence. Berry adapted the Civil War tune "Aura Lea" and arranged the harmonies. After weeks of practice, Berry, Ginsburg, and Torrence planned to make a demo recording in Berry's garage, but Torrence was conscripted into the United States Army Reserve, forcing Berry and Ginsburg to record "Jennie Lee" without Torrence, with Berry's friend and fellow University High student Donald J. Altfeld (born March 18, 1940, in Los Angeles) "beating out the rhythm on a children's metal high chair". The next day Berry took their recording to Radio Recorders, a small recording studio, to have it transferred to an acetate disc. Joe Lubin, Vice President and Head of A & R of Arwin Records, was impressed and offered to add instruments and to release it through Arwin.

In March 1958, the fathers of Berry and Ginsburg signed contracts authorizing Lubin to produce, arrange, and manage their sons.

Produced by Lubin, "Jennie Lee" (Arwin 108), backed with "Gotta Get a Date" (credited to Ginsburg, Berry & Lubin), became a surprise commercial success. According to Berry biographer Mark A. Moore, "The song (with backing vocals, plus additional instruments added by the Ernie Freeman combo) had a raucous R&B flavor, with a bouncing bomp-bomp vocal hook that would become a signature from Jan on future recordings." Distributed by Dot Records, "Jennie Lee" was released in mid-April, entered the charts on May 10, 1958, the same day they appeared on ABC's Dick Clark Show. "Jennie Lee" peaked at No. 3 on the Cash Box charts on June 21, 1958, No. 4 on the R&B charts, and No. 8 on the Billboard charts on June 30, 1958. Billy Ward and his Dominoes's R&B cover of "Jennie Lee" reached No. 55 in the Pop charts in June 1958, while other cover versions including that of Moon Mullican (Coral 9-61994) and Bobby Phillips & the Toppers (Tops 45-R422-49), released in 1958 failed to chart.

In July 1958, Jan & Arnie released their second single, "Gas Money" backed with "Bonnie Lou" (Arwin 111), both written by Berry, Ginsburg, and Altfeld. Like "Jennie Lee", "Gas Money" contained a few elements of what would later become surf music. It entered the Billboard charts on August 24, 1958, and peaked at No. 81 a week later. Jan & Arnie were a featured act on the Summer Dance Party that toured the US East Coast, including Pennsylvania, Massachusetts and Connecticut in July 1958. By the end of the month, they traveled to Manhattan to appear on The Dick Clark Show.

On August 24, 1958, Jan & Arnie played in a live show hosted by Dick Clark that featured Bobby Darin, the Champs, Sheb Wooley, the Blossoms, the Six Teens, Jerry Wallace, Jack Jones, Rod McKuen and the Ernie Freeman Orchestra in front of nearly 12,000 fans at the first rock-n-roll show ever held at the Hollywood Bowl.

By September 6, 1958, Jan & Arnie's third and final single, "The Beat That Can't Be Beat" backed with "I Love Linda" (Arwin 113), again composed by the Berry, Ginsburg and Altfeld team, was released. However this single failed to chart, due in part to a lack of distribution. On October 19, 1958, Jan & Arnie performed "The Beat That Can't Be Beat" on CBS's Jack Benny Show.

Arnie Ginsburg recorded a one-off single with a band named the Rituals on the Arwin label. The single, "Girl in Zanzibar" b/w "Guitarro", was released on vinyl in January 1959, preceding Jan and Dean's first single "Baby Talk", released in May 1959. Other than Arnie, the single featured Richard Podolor on guitar, Sandy Nelson on drums, Bruce Johnston on piano, Dave Shostac on sax, Harper Cosby on bass and Mike Deasy on guitar. It is unclear if the actual single was released for the general public but there are several promotional copies pressed to vinyl in existence.

By the end of the year, when Torrence had completed his six-month stint at Fort Ord, Ginsburg had become disenchanted with the music business. Ginsburg enrolled in the School of Architecture and Design at the University of Southern California and graduated in the field of product design in 1966. After graduation Ginsburg worked for several noted Los Angeles architects, among them Charles Eames, and in December 1973 he was granted a U.S. patent for a table he designed.

Ginsburg moved in 1975 to Santa Barbara, California, where he worked as an architectural designer, designing the innovative Ginsburg House. In September 1976, Ginsburg and Michael W. O'Neill were granted a patent for a portable batting cage.

1959-62: Early Records

After Torrence returned from a six-month compulsory stint in the US Army Reserve, Berry and Torrence began to make music as "Jan and Dean". With the help of record producers Herb Alpert and Lou Adler, Jan and Dean scored a No. 10 hit on the Dore label with "Baby Talk" (1959) (which was incorrectly labeled as Jan & Arnie when it initially was released), then scored a series of hits over the next couple of years. Playing local venues, they met and performed with the Beach Boys, and discovered the appeal of the latter's "surf sound". By this time Berry was co-writing, arranging, and producing all of Jan and Dean's original material.

During this time Berry co-wrote or arranged and produced songs for other artists outside of Jan and Dean, including the Angels ("I Adore Him", Top 30), the Gents, the Matadors (Sinners), Pixie (unreleased), Jill Gibson, Shelley Fabares, Deane Hawley, the Rip Chords ("Three Window Coupe", Top 30), and Johnny Crawford, among others.

Unlike most other rock 'n roll acts of the period, Jan and Dean did not give music their full-time attention. Jan and Dean were college students, maintaining their studies while writing and recording music and making public appearances on the side. Torrence majored in advertising design in the school of architecture at USC, where he also was a member of the Phi Sigma Kappa fraternity. Berry took science and music classes at UCLA, became a member of Phi Gamma Delta fraternity, and entered the California College of Medicine (now the UC Irvine School of Medicine) in 1963.

1963-66: Peak Years

Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson. The duo scored sixteen Top 40 hits on the Billboard and Cash Box magazine charts, with a total of twenty-six chart hits over an eight-year period (1958-1966). Berry and Wilson collaborated on roughly a dozen hits and album cuts for Jan and Dean, including "Surf City", co-written by Jan Berry and Brian Wilson, in 1963. Subsequent top 10 hits included "Drag City" (#10, 1964), the eerily portentous "Dead Man's Curve" (#8, 1964), and "The Little Old Lady from Pasadena" (#3, 1964).

In 1964, at the height of their fame, Jan and Dean hosted and performed at The T.A.M.I. Show, a historic concert film directed by Steve Binder. The film also featured such acts as the Rolling Stones, Chuck Berry, Gerry & the Pacemakers, James Brown, Billy J. Kramer & the Dakotas, Marvin Gaye, the Supremes, Lesley Gore, Smokey Robinson & the Miracles and the Beach Boys. Also in 1964, the duo performed the title track for the Columbia Pictures film Ride the Wild Surf, starring Fabian Forte, Tab Hunter, Peter Brown, Shelley Fabares, and Barbara Eden. The song, penned by Jan Berry, Brian Wilson and Roger Christian, was a Top 20 national hit. The pair were also to have appeared in the film, but their roles were cut following their friendship with Barry Keenan, who had engineered the Frank Sinatra Jr. kidnapping.

Jan and Dean also filmed two unreleased television pilots: Surf Scene in 1963 and On the Run in 1966. Their feature film for Paramount Pictures Easy Come, Easy Go was canceled when Berry, as well as the film's director and other crew members, were seriously injured in a railroad accident while shooting the film in Chatsworth, California, in August 1965.

After the surfing craze, Jan and Dean scored two Top-30 hits in 1965: "You Really Know How to Hurt a Guy" got up to 27 and "I Found a Girl" got to 30-the latter from the album Folk 'n Roll. During this period, they also began to experiment with cutting-edge comedy concepts such as the original (unreleased) Filet of Soul and Jan & Dean Meet Batman. The former's album cover shows Berry with his leg in a cast as a result of the accident while filming Easy Come, Easy Go.

1966-68: Berry's Car Wreck

On April 12, 1966, Berry received severe head injuries in an automobile accident on Whittier Drive, just a short distance from Dead Man's Curve in Beverly Hills, California, two years after the song had become a hit. He was on his way to a business meeting when he crashed his Corvette into a parked truck on Whittier Drive, near the intersection of Sunset Boulevard, in Beverly Hills. He also had separated from his girlfriend of seven years, singer-artist Jill Gibson, later a member of the Mamas & the Papas for a short time, who also had co-written several songs with him. Berry was in a coma for more than two months; he awoke on the morning of June 16, 1966.

Berry recovered from brain damage and partial paralysis. He had limited use of his right arm, and had to learn to write with his left hand and had to learn to walk again.

In Berry's absence, Torrence released several singles on the J&D Record Co. label and recorded Save for a Rainy Day in 1966, a concept album featuring all rain-themed songs. Torrence posed with Berry's brother Ken for the album cover photos. Columbia Records released one single from the project ("Yellow Balloon") as did the song's writer, Gary Zekley, with the group the Yellow Balloon.

Besides his studio work, Torrence became a graphic artist, starting his own company, Kittyhawk Graphics, and designing and creating album covers and logos for other musicians and recording artists, including Harry Nilsson, Steve Martin, the Nitty Gritty Dirt Band, Dennis Wilson, Bruce Johnston, the Beach Boys, Diana Ross and the Supremes, Linda Ronstadt, Canned Heat, the Ventures and many others. Torrence (with Gene Brownell) won a Grammy Award for "Album Cover of the Year" in 1971, for the album Pollution by Pollution on Prophesy Records.

Berry returned to the studio in April 1967, almost one year to the day after his accident. Working with Alan Wolfson, he began writing and producing music again. In December 1967, Jan and Dean signed an agreement with Warner Bros. Records. Warner issued three singles under the name "Jan and Dean", but a 1968 Berry-produced album for Warner Bros., the psychedelic Carnival of Sound, remained unreleased until February 2010, when Rhino Records' "Handmade" label put out CD and vinyl compilations of all tracks recorded for Carnival, along with various outtakes and remixes from the project.

Later years

In 1971, Jan & Dean released the album Jan & Dean Anthology Album under the label United Artists Records. The album included many of their top hits, starting with 1958's "Jennie Lee" and ending with 1968's "Vegetables".

Berry began to sing again in the early 1970s, touring with his Aloha band, while Dean began performing with a band called Papa Doo Run Run.

On August 26, 1973, Torrence was scheduled to appear at the Hollywood Palladium as part of Jim Pewter's "Surfer's Stomp" reunion. Torrence had recently released some Jan & Dean songs with new vocal parts by Bruce Johnston (of the Beach Boys) and producer Terry Melcher under the moniker the Legendary Masked Surfers. Torrence arranged with Berry to join him lip-syncing on stage to a pre-recorded track. The two anticipated that the audience would know it was a tape recording, and they decided to make light of it during the performance. That night, they joked around and stopped lip-syncing on stage while the music continued, but the audience became angry and started booing. The duo's first live performance after Berry's accident occurred at the Palomino Nightclub in North Hollywood on June 5, 1976, ten years after the accident, as guests of Disneyland regulars Papa Doo Run Run. Their first actual multi-song concert billed as Jan and Dean took place in 1978 in New York City at the Palladium as part of the Murray the K Brooklyn Fox Reunion Show. This was followed by a handful of East Coast shows as guests of their longtime friends the Beach Boys. Four nationwide J & D headlining tours followed through 1980. Berry was still suffering the effects of his 1966 accident, with partial paralysis and aphasia.

The duo experienced a resurgence after Paul Morantz's "Road back from Deadman's Curve" article appeared in Rolling Stone in 1974, writing the piece after spending extensive time with the two singers, their families, doctors and associates. Morantz first submitted the story to Playboy, who recommended it to Rolling Stone. He then wrote a film treatment from his story which was purchased by CBS.

On February 3, 1978, CBS aired a made-for-TV film about the duo titled Deadman's Curve. The biopic starred Richard Hatch as Jan Berry and Bruce Davison as Dean Torrence, with cameo appearances by Dick Clark, Wolfman Jack, Mike Love of the Beach Boys, and Bruce Johnston (who at that time was temporarily out of the Beach Boys), as well as Berry himself. Near the end of the film he can be seen sitting in the audience, watching "himself" (Richard Hatch) perform onstage. The part of Jan & Dean's band was played by Papa Doo Run Run, which included Mark Ward and Jim Armstrong, who went on to form Jan & Dean and the Bel-Air Bandits. Johnston and Berry had known each other since high school, and had played music together in Berry's garage in Bel Air - long before Jan & Dean or the Beach Boys were formed. Following the release of the film, the duo made steps toward an official comeback that year, including touring with the Beach Boys, and performing with Papa Doo Run Run at Cupertino High School. In the Netherlands the showing on television of the movie by Veronica in August 1979 earned them a huge hit record of the re-recorded "Surf City" and "Deadman's Curve" songs as a double A-sided single record release, and a golden oldies record having "The Little Old Lady From Pasadena" as its flip side reached a lower position in the charts.

In the early 1980s, Papa Doo Run Run left to explore other performance and recording ventures. Berry struggled to overcome drug addiction. In 1979, Berry had performed over 100 concerts of Jan and Dean songs with another front man from Hawaii, Randy Ruff. Torrence also toured briefly as "Mike & Dean", with Mike Love of the Beach Boys. Later, the duo reunited for good. In "Phase II" of their career, Torrence led the touring operation.

Jan and Dean continued to tour on their own throughout the 1980s, the 1990s, and into the new millennium - with 1960s nostalgia providing them with a ready audience, headlining oldies shows throughout North America. Sundazed Records reissued Torrence's Save for a Rainy Day in 1996 in CD and vinyl formats, as well as the collector's vinyl 45 rpm companion EP, "Sounds For A Rainy Day", featuring four instrumental versions of the album's tracks.

Between the 1970s and the early 2000s, Torrence issued a number of re-recordings of classic Jan and Dean and Beach Boys hits. A double album titled One Summer Night / Live was issued by Rhino Records in 1982. Torrence released the album Silver Summer with the help of Mike Love in 1985 for Jan & Dean's 25th anniversary. Silver Summer was officially released as a Jan & Dean album, but falsely gives credit to Berry as co-producer and singer; Berry did not contribute to the album. Torrence participated with Berry on Port to Paradise, released as a cassette on the J&D Records label in 1986. In 1997, after many years of hard work, Berry released a solo album called Second Wave on One Way Records. June 11, 2002, Torrence released a solo album titled Anthology: Legendary Masked Surfer Unmasked.

On August 31, 1991, Berry married Gertie Filip at the Stardust Convention Centre in Las Vegas, Nevada. Torrence was Berry's best man at the wedding.

Berry's death

Jan and Dean's career together ended with Jan Berry's death on March 26, 2004, after he suffered a seizure eight days before his 63rd birthday. Jan Berry was an organ donor, and his body was cremated. On April 18, 2004, a "Celebration of Life" was held in Berry's memory at the Roxy Theatre on the Sunset Strip in West Hollywood, California. Attendees included Torrence, Lou Adler, Jill Gibson, and Nancy Sinatra, along with many family members, friends, and musicians associated with Jan and Dean and the Beach Boys, including the original members of Papa Doo Run Run.

In February 2010, the Jan & Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form.

In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve, to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also features Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening".

After Berry's death, Torrence began touring occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA". Torrence's website features - among other things - rare images, a complete Jan & Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters.

Legacy

In 1964, Jan and Dean were signed to host what became the first multi-act Rock and Roll show that was edited into a motion picture designed for wide distribution. The T.A.M.I. Show became a seminal and original production - in essence one of the first rock videos - on its release in 1964. Using a high-resolution videotape process called Electronovision (transferred from television directly onto 35mm motion picture stock as a kinescope), new sound recording techniques and having a remarkable cast, The T.A.M.I. Show set the standard for all succeeding music film and video work, including many of the early videos shown by MTV 17 years later. The revolutionary technical achievements of The T.A.M.I. Show and the list of performers (including a performance by James Brown that many critics have called the best of his career) marked a high point for Jan and Dean, as they were the hosts and one of the main featured acts as well. They became one of the main faces of mid-1960s music, until Berry's auto accident two years later, through their T.A.M.I. Show appearance.

According to rock critic Dave Marsh, the attitude and public persona of punk rock can be traced to Jan and Dean. Certainly their casual and goofy stage antics were consistent with some of punk rock's ethos. But their constant improvement and the increased complexity of their arrangements in the latter recordings showed their fealty to Brian Wilson's baroque approach. Many of their records feature the top session players of the era, and their arrangements, with multiple key changes and complex vocal harmonies, reflected a high level of craftsmanship.

Nevertheless, Jan Berry and Dean Torrence's anti-establishment attitudes toward the music industry are well-documented. Their music has been covered by numerous punk rock and alternative rock bands since the 1970s.

Brian Wilson has cited Berry as having a direct impact on his own growth as a record producer.

In an interview conducted by Jan & Dean fan and historian David Beard for the Collectors' Choice release, Jan & Dean, the Complete Liberty Singles, Dean Torrence stated that he felt the duo should be in the Rock & Roll Hall of Fame: "We have the scoreboard if you just want to compare number of hits and musical projects done. We beat 75 percent of the people in there. So what else is it? I've got to think that we were pretty irreverent when it came to the music industry. They kind of always held that against us. That's okay with me." Jan & Dean were, however, inducted into the Hollywood Rock Walk of Fame on April 12, 1996, exactly 30 years after Jan Berry had his near fatal car accident.

The Who covered Jan and Dean's "Bucket T" on their UK EP Ready Steady Who from 1966. It is one of only a few songs the group performed that surf-fan Keith Moon provided the lead vocals.

Alternative rock group the Red Hot Chili Peppers referenced the duo in their song "Did I Let You Know", on the album I'm with You.

1963 - The Renegaids - Surfing Tragedy

1963 - The Renegaids - Surfing Tragedy

Play Song

Wikipedia

Me4Christ64 Web Site

Band Members

Dave Vaught - Bass
Neal Nissenson - Drums
Bob Vaught - Guitar
J. Gordon Smith - Rhythm Guitar
Jerry Feliciello - Saxophone

The Renegaids "Surf Crazy"

Side One:

1. Exotic
2. Surfin' Tragedy
3. Makaha
4. Delano Soul Beat
5. Revellion
6. Latinia

Side Two:

1. Tor-Chula
2. Blue Moon
3. Malibu Mash
4. Intoxica
5. Rin Con
6. Surfin' Safari

MP3s:
Surf-Renegaids-DelanoSoulBeat(2-30).mp3 (1963)
Surf-Renegaids-Exotic(1-52).mp3 (1963)
Surf-Renegaids-Latinia(2-14).mp3 (1963)

1963 - The Sentinals - Exotic

1963 - The Sentinals - Exotic

Play Song

Wikipedia

Surf-Sentinals-Torchula(2-08).mp3 (1962)
Surf-Sentinals-LatinSoul(2-01).mp3 (1962)

"Exotic" is a song composed by Bruce Morgan and recorded by various bands back in 1963 when it was first released. Morgan is more known for having written songs like "Surfer Girl" and "Luau" for The Beach Boys.

Known recordings

• 1963 - The Sentinals recorded "Exotic" in their album "Big Surf!" for Del-Fi Records
• 1963 - Bob Vaught & The Renegaids recorded "Exotic" as a 7" Single, with "Surfin' Tragedy" as a B-side for GNP Crescendo
• 1963 - The Rhythm Kings recorded "Exotic" as a B-side for their single "Blue Soul", also from GNP Crescendo. This same track was later re-released by the same publisher in a compilation album named "Original Surfin' Hits" and again in a 1964 compilation titled "Dance With The Jet Set! At The World's Great Discotheques"
• 1986 - The Raunch Hands recorded "Exotic" for their album "Learn To Whap-A-Dang" for Relativity Records
• 1994 - The Del Lagunas Exotic B/W Twine Time - 7" Single - Sympathy For The Record Industry
• 1995 - Dave Myers And The Surftones - Surf War: The Battle Of The Surf Groups - Sundazed Music
• 1996 - The El Caminos - Surfers' Lounge - Sexcite Records
• 1996 - Los Kogars - Swing Into Action (LP, Album) Planet Pimp Records
• 1998 - The Krontjong Devils - On Tour!!! - Telstar Records
• 1999 - Surf Report - Lavarockreverb (CD-ROM + Album) Rickshaw Records
• 1999 - The Infrareds - (self-titled album) Blue Mule Music
• 2012 - The Original Surfaris - "Lost Legends Of Surf Guitar" (compilation) - Sundazed Music

The Sentinals were a surf rock band from San Luis Obispo, California (1961-1965). The band is notable for a Latino influence in some works, such as "Latin'ia" (1962). Notable band members included Tommy Nunes, drummer John Barbata (later of The Turtles and Jefferson Starship) and Lee Michaels (then known as Michael Olsen) on keyboards.

1960s

In the summer of 1962, the group toured the country and opened for bands including The Coasters and The Righteous Brothers. Also that year, through Norman Knowles, the group came across Tony Hilder, whose company Anthony Music would later become involved in legal action with Del-Fi records, slapping the label with a $122,000 lawsuit as a result of royalties not being paid. This was relating to an alleged agreement for the masters of albums by The Sentinels, The Centurians, Dave Myers and the Surftones, etc.

In 1963 the band was featured in the March 16 issue of Central Coast Living section of The Tribune. Kenny Hinkle was pictured on the cover. Also that year, their Big Surf album was released on the Del-Fi label.

According to Robert J. Dalley's book Surfin' Guitars: Instrumental Surf Bands of the Sixties, the 1965 line up consisted of John Barbata, Ron Gornell, Kenny Hinkle, Norman Knowles, and Tommy Nunes.

1970s to 1980s

In August 1984, they got together and played at the San Luis Obispo Officer's Club. This live reunion was for their twenty-year class reunion.

1990s to present

In 1996, Del-Fi released the Big Surf Hits various artists compilation album, featuring their track "Big Surf". Other artists on the album were The Impacts, Dave Myers and The Surftones and The Lively Ones.

Members

• John Barbata: drums, 1961-66
• Ron Gornell: organ, 1965-66
• Peter Graham: guitar, 1961-66
• Kenny Hinkle: bass, 1962-66
• Bobby Holmquist: saxophone, 1961-64
• Norman Knowles: saxophone, 1965-66
• Lee Michaels (Michael Olsen): organ, vocals, 1966
• Tommy Nunes: guitar 1961-66
• Ronnie Page: vocals, 1966
• John Ryan: bass
• Harry Sackrider: guitar, 1964-65
• Mike Scott: drums
• Gary Winburne: bass, 1961-63

1963 - Surfaris - Surfer Joe

1963 - Surfaris - Surfer Joe

Play Song

Wikipedia

The Surfaris are an American surf rock band formed in Glendora, California in 1962.

The Surfaris were inducted into the Musicians Hall of Fame and Museum in 2019 for their hit instrumental song, "Wipe Out".

Band Members

• Bob Berryhill - rhythm guitar (1962-1966)
• Jim Fuller - lead guitar (1962-1966; died 2017)
• Pat Connolly - bass (1962-1965)
• Ron Wilson - vocals, drums (1962-1966; died 1989)
• Jim Pash - saxophone, guitar (1963-1966; died 2005)
• Ken Forssi - bass (1965-1966)

They are best known for two songs that hit the charts in the Los Angeles area, and nationally by May 1963: "Surfer Joe" and "Wipe Out", which were the A-side and B-side of the same 45 rpm single.

The Surfaris were inducted into the Musicians Hall of Fame and Museum in 2019 for their hit instrumental song, "Wipe Out".

Career

The original band members were Ron Wilson (drums, vocals), Jim Fuller (lead guitar), Bob Berryhill (rhythm guitar), and Pat Connolly (bass).

In the fall of 1962, Southern California high school students Jim Fuller and Pat Connolly were a guitar duo before founding The Surfaris in high school after meeting drummer Ron Wilson at a high school dance. After practicing at fellow student Bob Berryhill's house, they added him as the fourth member. "Wipe Out" was written and recorded by the quartet later that winter, with the song reaching #2 nationally in 1963 before becoming an international hit.

"Wipe Out"

Wilson's energetic drum solo made "Wipe Out" one of the best-remembered instrumental songs of the period. "Wipe Out" is also remembered particularly for its introduction. Before the music starts, Berryhill's dad broke a board (imitating a breaking surf board) near the mic, followed by a maniacal laugh and the words "Wipe Out" spoken by band manager Dale Smallin. "Wipe Out" was written in the studio by the four original members (Berryhill, Connolly, Fuller, and Wilson). It was initially issued on the tiny DFS label (#11/12) in January 1963. It was reissued on the tiny Princess label (#50) in February 1963. It was picked up by Dot (45-16479) in April 1963, and later reissued as Dot 45-144 in April 1965. It sold over one million copies and was awarded a gold disc.

Following the death of television personality Morton Downey Jr., news reports and obituaries incorrectly credited him as the composer of "Wipe Out" (as well as the Chantays' "Pipeline"). As of 2010, Downey's official website continued to make this claim but it has been changed to state he "also played major roles in the production of the hit surf music-era songs "Pipeline" and "Wipeout"."

Disbanding and reformation

The band released a series of records, with two other singles, "Surfer Joe" (written and sung by Wilson) and "Point Panic" (another group-composed instrumental), having an impact on the charts. Point Panic is a renowned surfing venue in Hawaii after which the song was named.

The original 1963 membership remained intact until August 1965 when Connolly departed before their Japanese tour. Ken Forssi replaced him on bass for the tour. Fuller resigned after the tour and the band folded in early 1966. Forssi died from a brain tumor in 1998.

Bob Berryhill currently performs worldwide as The Surfaris who started performing in the 1990s. In 2015, he released a critically acclaimed album entitled The Surfaris Hurley Sessions.

Pat Connolly left the music business in 1965.

Ron Wilson died of a brain aneurysm on May 12, 1989, one month short of his 45th birthday. Wilson had released an album of his songs, entitled Lost In The Surf, on Bennet House Records of Grass Valley, California, which was recorded in June 1987. A very small number of cassettes of this album were produced. Lost in the Surf included a cover of "Louie Louie", complete with Scottish bagpipes.

Jim Pash, who played saxophone in the earlier formation and was later a guitarist, died April 29, 2005 of heart failure at age 56.

Jim Fuller played with main band, The Surfaris band that reformed in the 1980s with Pash. After Berryhill was released from the band in the mid-'80s, new members joined such as Kelly Lammers, Robert Watson, Jay Truax, Paul Johnson (Mr. Moto), and Dave Raven, among others all concurrent with his own band, Jim Fuller and the Beatnik until his passing on March 3, 2017 in Monrovia, California at age 69.

On June 25, 2019, The New York Times Magazine listed The Surfaris among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

1963 - Surfaris - Wipe Out

1963 - Surfaris - Wipe Out

Play Song

The Ventures - Wipeout Live in Japan 1966

Wikipedia

The Surfaris are an American surf rock band formed in Glendora, California in 1962.

The Surfaris were inducted into the Musicians Hall of Fame and Museum in 2019 for their hit instrumental song, "Wipe Out".

Band Members

• Bob Berryhill - rhythm guitar (1962-1966)
• Jim Fuller - lead guitar (1962-1966; died 2017)
• Pat Connolly - bass (1962-1965)
• Ron Wilson - vocals, drums (1962-1966; died 1989)
• Jim Pash - saxophone, guitar (1963-1966; died 2005)
• Ken Forssi - bass (1965-1966)

They are best known for two songs that hit the charts in the Los Angeles area, and nationally by May 1963: "Surfer Joe" and "Wipe Out", which were the A-side and B-side of the same 45 rpm single.

The Surfaris were inducted into the Musicians Hall of Fame and Museum in 2019 for their hit instrumental song, "Wipe Out".

Career

The original band members were Ron Wilson (drums, vocals), Jim Fuller (lead guitar), Bob Berryhill (rhythm guitar), and Pat Connolly (bass).

In the fall of 1962, Southern California high school students Jim Fuller and Pat Connolly were a guitar duo before founding The Surfaris in high school after meeting drummer Ron Wilson at a high school dance. After practicing at fellow student Bob Berryhill's house, they added him as the fourth member. "Wipe Out" was written and recorded by the quartet later that winter, with the song reaching #2 nationally in 1963 before becoming an international hit.

"Wipe Out"

Wilson's energetic drum solo made "Wipe Out" one of the best-remembered instrumental songs of the period. "Wipe Out" is also remembered particularly for its introduction. Before the music starts, Berryhill's dad broke a board (imitating a breaking surf board) near the mic, followed by a maniacal laugh and the words "Wipe Out" spoken by band manager Dale Smallin. "Wipe Out" was written in the studio by the four original members (Berryhill, Connolly, Fuller, and Wilson). It was initially issued on the tiny DFS label (#11/12) in January 1963. It was reissued on the tiny Princess label (#50) in February 1963. It was picked up by Dot (45-16479) in April 1963, and later reissued as Dot 45-144 in April 1965. It sold over one million copies and was awarded a gold disc.

Following the death of television personality Morton Downey Jr., news reports and obituaries incorrectly credited him as the composer of "Wipe Out" (as well as the Chantays' "Pipeline"). As of 2010, Downey's official website continued to make this claim but it has been changed to state he "also played major roles in the production of the hit surf music-era songs "Pipeline" and "Wipeout"."

Disbanding and reformation

The band released a series of records, with two other singles, "Surfer Joe" (written and sung by Wilson) and "Point Panic" (another group-composed instrumental), having an impact on the charts. Point Panic is a renowned surfing venue in Hawaii after which the song was named.

The original 1963 membership remained intact until August 1965 when Connolly departed before their Japanese tour. Ken Forssi replaced him on bass for the tour. Fuller resigned after the tour and the band folded in early 1966. Forssi died from a brain tumor in 1998.

Bob Berryhill currently performs worldwide as The Surfaris who started performing in the 1990s. In 2015, he released a critically acclaimed album entitled The Surfaris Hurley Sessions.

Pat Connolly left the music business in 1965.

Ron Wilson died of a brain aneurysm on May 12, 1989, one month short of his 45th birthday. Wilson had released an album of his songs, entitled Lost In The Surf, on Bennet House Records of Grass Valley, California, which was recorded in June 1987. A very small number of cassettes of this album were produced. Lost in the Surf included a cover of "Louie Louie", complete with Scottish bagpipes.

Jim Pash, who played saxophone in the earlier formation and was later a guitarist, died April 29, 2005 of heart failure at age 56.

Jim Fuller played with main band, The Surfaris band that reformed in the 1980s with Pash. After Berryhill was released from the band in the mid-'80s, new members joined such as Kelly Lammers, Robert Watson, Jay Truax, Paul Johnson (Mr. Moto), and Dave Raven, among others all concurrent with his own band, Jim Fuller and the Beatnik until his passing on March 3, 2017 in Monrovia, California at age 69.

On June 25, 2019, The New York Times Magazine listed The Surfaris among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

1963 - Ventures - Ninth Wave

1963 - Ventures - Ninth Wave

Play Song

Wikipedia

The Ventures are an American instrumental rock band, formed in 1958 in Tacoma, Washington, by Don Wilson and Bob Bogle. The band, a quartet for most of its existence, helped to popularize the electric guitar in the United States and across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they tour regularly to this day. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, switched to bass), Nokie Edwards (initially bass, switched to lead guitar), and Mel Taylor (drums).

Their first wide-release single, "Walk, Don't Run", brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.

The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced many musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.

History

Formation and rise to fame

Don Wilson and Bob Bogle first met in 1958, when Bogle was looking to buy a car from a used car dealership in Seattle owned by Wilson's father. Finding a common interest in guitars, the two decided to play together, while Wilson joined Bogle performing masonry work. They bought two used guitars in a pawn shop for about $10 each. Initially calling themselves the Versatones, the duo played small clubs, beer bars, and private parties throughout the Pacific Northwest. Wilson played rhythm guitar, Bogle lead. When they went to register the band name, they found that it was already taken. Disappointed, they cast about for an appropriate name. Wilson's mother suggested the name "The Ventures", upon which they eventually agreed in 1959.

After watching Nokie Edwards play at a nightclub, they recruited him as bass player. Bogle owned a Chet Atkins LP, Hi-Fi in Focus, on which he heard the song "Walk, Don't Run". Soon, the group was in a recording studio playing the new song, with Bogle on lead, Wilson on rhythm, Edwards on bass, and Skip Moore on drums. They pressed a number of 45s, which they distributed to several record companies. Later, Skip Moore opted out of the group to work at his family's gas station. When "Walk, Don't Run" was recorded, he also opted out of the royalties from the recording, taking $25 for the session instead. He later sued to collect royalties but failed because of his prior opt-out. "Walk, Don't Run" sold over one million copies, and was awarded a gold disc by the RIAA.

Needing a permanent drummer for the group after George T. Babbitt, Jr. dropped out because he was not old enough to play night clubs and bars, they hired Howie Johnson and, in the midst of a fast-paced touring schedule, recorded an album to capitalize on the success of the single. (Babbitt went on to become a 4-star general in the United States Air Force (USAF) and on March 1, 1998, he played live in uniform on drums with the band.) The lineup of Bogle, Wilson, Edwards and Johnson remained intact until 1962. The group found early success with a string of singles, but quickly became leaders in the album market. The Ventures were among the pioneers of concept albums (starting with 1961's The Colorful Ventures) where each song on several of their albums was chosen to fit a specific theme. Some of the Ventures' most popular albums at the time were a series of records of dance music. In the early 1960s "golden age of hi-fi", with the novelty of stereo still in its experimental stages, the Ventures found their characteristic style of recording each instrument in either the extreme left or right channel, with little (if any) cross-over, enhancing the stereo effect to its fullest limits.

In 1961, Edwards, a talented guitarist in his own right, suggested that Bogle's lead guitar abilities were being stretched, and that they were in essence wasting Edwards' talents by keeping him on bass. Bogle agreed, and rapidly learned the bass parts to all their tunes, allowing Edwards to take lead guitar full-time, although he had played lead previously on several tracks on their first studio sessions/albums. This move would prove vital in modernizing the band's sound, ensuring success in an ever-changing market well into the late 1960s.

Classic lineup

In the fall of 1957, Johnson had been injured in an auto crash, which caused irreversible spinal damage.

This forced him to play with a neckbrace at first. However, he was able to play without it shortly after joining the group. Johnson played on the first four LPs and recorded on about half of the tracks on the fifth LP (Twist with the Ventures/Dance!) and about half of their sixth LP (Twist With The Ventures Vol. 2/Beach Party). He did not like spending so much time away from his new family (his second marriage) by having to commute from Seattle to Los Angeles to record, and because of this, he left the band. Johnson continued to play locally in the Washington area with local groups until his death on May 5, 1988, at age 54.

At the time Johnson quit the Ventures, Bogle and Wilson already knew Mel Taylor, house drummer at The Palomino in North Hollywood (the venue where they would play numerous shows during their resurgence in the 1980s). Taylor was known for a hard-hitting style of drumming. The group invited him to some recording sessions, which led Taylor to become a permanent member of the Ventures.

The Ventures today

On March 10, 2008, the Ventures were inducted into the Rock and Roll Hall of Fame with John Fogerty as their presenter. In attendance were original members Don Wilson and Nokie Edwards, late 1960s member John Durrill, current guitarist Bob Spalding, and current drummer Leon Taylor, son of Mel Taylor who, along with Mel Taylor's widow, Fiona, accepted on behalf of the Ventures' late drummer. Bob Bogle and Gerry McGee were unable to attend the ceremony. Fiona Taylor gave special mention to her husband's predecessor drummers Skip Moore and Howie Johnson. The Ventures performed their biggest hits, "Walk, Don't Run" and "Hawaii Five-O", augmented on the latter by Rock and Roll Hall Of Fame musical director Paul Shaffer and his band.

Bob Bogle lived in Vancouver, Washington, for years and died there on June 14, 2009, of non-Hodgkin lymphoma; he was 75.

Nokie Edwards died on March 12, 2018, due to complications after hip surgery. He was 82.

Gerry McGee died on October 12, 2019, after collapsing onstage four days earlier in Japan. He was 81.

Don Wilson continues to record with the band, but retired from touring at the end of 2015. With Nokie Edwards' death in 2018, Wilson is now the lone surviving member of the original group.

Band members

Nole "Nokie" Edwards in 2009 in Nashville at the Chet Atkins Appreciation Society.

Current members

• Bob Spalding - lead guitar, bass guitar, rhythm guitar (2005-present; studio and live guest 1980-2005)
• Leon Taylor - drums (1996-present)
• Ian Spalding - rhythm guitar, bass (2016-present)
• Luke Griffin - bass, guitar (2017-present)

Former members

• Don Wilson - guitar (1958-2015; no longer tours as of 2015)
• Bob Bogle - bass guitar, lead guitar (1958-2005; died 2009)
• George T. Babbitt (1959-1960) - drums
• Nokie Edwards - lead guitar, bass guitar (1960-1968, 1972-1985; as guest 1999-2016; died 2018)
• Howie Johnson - drums (1960-1962; died 1988)
• Skip Moore (1960) - drums
• Mel Taylor - drums (1962-1973, 1979-1996; died 1996)
• Gerry McGee - guitar (1968-1972, 1985-2017; died 2019)
• John Durrill - keyboards (1968-1972)
• Sandy Lee Gornicki - keyboards (1968)
• Joe Barile - drums (1973-1979)
• Dave Carr - keyboards (1973-1974)
• Biff Vincent - keyboards (1975-1976)
• JD Hoag - guitar (1981-1982)

1964 - Pyramids - Penetration

1964 - Pyramids - Penetration

Play Song

Wikipedia

The Pyramids were a surf group from Long Beach, California, United States, who formed in 1961. In early 1964, they made the Top 20 of the Billboard Hot 100 with their instrumental "Penetration". It proved to be the final major instrumental surf hit.

History

The band started in 1961 and was made up of five students from Poly High. All of them played some rock n roll. The members were Skip Mercier on lead and rhythm guitar, Ron McMullen on drums, Tom Pitman on sax, Willie Glover on rhythm guitar and Steve Leonard on bass. The group got their first break at a San Bernardino dance which a local radio station had sponsored. After the show some of the dancers and deejays suggested that they record an infectious number that people would like to hear repeated. Steve Leonard composed a number which was to become "Penetration".

Career

The group was approached by John Hodge who offered to manage and record them. He took them to Garrison Studios in Long Beach and they cut two sides. The singe "Pyramid's Stomp" only sold a handful of copies due to the lack of promotion and airplay. After that they played the record hops and school dances. They recorded a single with "Here Comes Marsha" as the A side and the "Penetration" as the B side. It was originally called "Eyeballs", it was based on "Pipeline" by The Chantays. It's possible that the interest in "Penetration" started due to a Riverside DJ not playing the Will Glover composed A side "Here Comes Marsha" but instead playing the flip side "Penetration". With this single, their manager Hodge managed to secure local airplay. He also got national distribution with the London Records label.

By February 22, 1964, their Original Penetration album was released on Best BR 16501 with Billboard mentioning "Penetration" as receiving singles attention, and "Louie Louie", "Out of Limits" and "Road Runnah" as other danceable tunes By March 7, the album was in the Breakout albums New Action LPs section which showed the non-charting albums which were getting major attention by dealers in major markets. By March 28, it was in the Billboard TOP LP's chart at #121, having moved up 9 notches from the previous week's position of 130. By April 4, it was at #119. On the 11th of April it was at its fifth week in the chart and had moved down to #120.

The "Penetration" single spent a total of ten weeks in the charts, peaking at #18 on the week of April 4, 1964. There was also some small success with the B side."Here Comes Marsha" was a regional hit in Texas thanks to deejays playing that side.

In July 1964, the group appeared in the American International Pictures' film Bikini Beach which starred Frankie Avalon and Annette Funicello.

For the film they performed two songs - "Record Run" and the instrumental "Bikini Drag", both written by Gary Usher and Roger Christian. They are also shown performing back-up on two other songs (both written by Guy Hemric and Jerry Styner): "How About That?" by Frankie Avalon and "Happy Feelin' (Dance and Shout)" by Little Stevie Wonder. At one stage in the movie, The Pyramids are involved in a fun stunt. They come on stage wearing Beatles wigs and were playing the song "Record Run". With the aid of a fishing line above, they then have them pulled off to reveal their shaved heads.

Later years

After The Pyramids, three of the band's members, Skip Mercier, Steve Leonard and Will Glover joined Long Beach musicians, Mike Marchman, Jim Foelber and Chris Myers and played in a club band called The Family Cat. They played around Orange County in the nightclubs until 1973.

In 1995, Sundazed Records released a 20 track CD Penetration! The Best of the Pyramids. Bob Irwin from the label who had worked closely with music director for The Revels, Tony Hilder and band members, Sam Eddy and Norman Knowles for their work to be re-released in later years did the same with this compilation. He was pleased to find John Hodge the manager and producer for the Pyramids as Hodge owned the masters for the original recordings which included the unissued music. Hodge also had a strong love of the music. Irwin was also planning a second release of their work. It was to be an album of unreleased material.

Drummer Ron McMullen died on January 7, 2015, in Long Beach, California.

1966 - Beach Boys - Good Vibrations

1966 - Beach Boys - Good Vibrations

Play Song

Wikipedia

This became the Beach Boys' first No. 1 since 1964's "Help Me Rhonda" - and their last until 1988's "Kokomo."

The Beach Boys are an American rock band formed in Hawthorne, California in 1961.

Brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine.

In 1963, they had their first national hit with "Surfin' U.S.A."

Partial Song List:

• Surfin' - Released: December 8, 1961
• Surfer Girl - Released: July 22, 1963
• Fun, Fun, Fun' (1964)
• I Get Around (1964)
• California Girls (1965)
• Help Me Rhonda - Released March 1965 on the album The Beach Boys Today!
• Good Vibrations (1966) This became the Beach Boys' first No. 1 since 1964's "Help Me Rhonda"
  - and their last until 1988's "Kokomo."
• Wouldn't It Be Nice (1966 - Pet Sounds)
• God Only Knows (1966 - Pet Sounds)
• Sloop John B. (1966) - "Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's The American Songbag in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B".

1966 - Sandals - The Endless Summer

1966 - Sandals - The Endless Summer

Play Song

Wikipedia

The Sandals, also known as The Sandells, were an early, influential surf rock band formed in 1964. They are most famous for scoring the surfing documentary The Endless Summer.

History

The Sandals began in 1962, when Danny Brawner, a drummer, joined a high-school group called The Twangs, headed up by the brothers Gaston and Walter Georis. The Twangs were a group heavily influenced by The Ventures. At this point, the core of The Sandals was formed: Brawner on drums, Gaston on keyboards, Walter on rhythm guitar, John Blakeley on lead guitar with his brother, David, on bass. David was replaced by John Gibson early on. The band changed their name to The Shadows, and eventually settled on The Sandells, a portmanteau of "Sand" and "ells", a popular ending for groups at the time. They released their first album, Scrambler!, in early 1964. They partnered with World Pacific Records for the release, which allowed them to come in contact with Bruce Brown, who was then just beginning editing work on his next documentary project, The Endless Summer.

Brawner and the Georis brothers met with Brown in Long Beach at a surf fair, hoping to sell him one of the Sandals songs for use on Brown's new film. Brown, however, was so impressed by their music that he agreed to use a number of their songs in the film. It was agreed that all film profit would go to Brown, and all soundtrack profit to go to The Sandells. The group used the studio time that working on the film gave them to release a number of LPs and Singles during this period. Jim King worked with the group at this time, producing a number of songs, including "Always" and "All Over Again", both of which received limited national radio airplay. The group also slightly modified their name during this time, to the surf-inspired "The Sandals". For a time, the group toured with the film, providing live backing for the live narration by Bruce Brown.

After The Endless Summer film reached nationwide distribution, The Sandals recorded the song "Endless Summer", one of their first songs with vocals. The song was a departure in a number of ways, and not just relating to the vocals. They were attempting a Beach Boys-esque sound, with mixed results. They also re-released the Scrambler! LP as The Endless Summer, along with new single records similarly retitled.

In 1967, Dick Barrymore hired The Sandals to score his skiing documentary, The Last of the Ski Bums. As on Scrambler!, John Blakeley's songwriting skills were at the forefront of the album - 10 of the 12 songs contained at least some of his input. However, this album also marked Danny's departure from the band after he refused to leave San Clemente, California, where the band had been based, for Riverside, California. He was replaced by Steve Ekwall, who played on the album.

Soon after the release of the Last of the Ski Bums album, the group broke up.

The Georis brothers went on to start the restaurant Casanova in Carmel, California in 1977, and, in 1983, Walter established the restaurant Fandango in Pacific Grove, California; Walter Georis established Georis Winery on 40 acres (16 ha) of Cachaqua ranchland 20 miles (32 km) from the ocean in upper Carmel Valley in the early 1980s and began selling wine since 1982 including the Endless Summer label. In 2011, Walter and Sylvia Georis established Cowgirl Winery with assistance from Damien Georis. Both of these wineries are in the Carmel Valley AVA wine region of California.

Danny Brawner worked for Mobile Surfboards.

John Blakeley remained involved in music, joining Stoneground in 1971.

There have been two reunions to date: in 1992, the Georis brothers and Blakeley reformed the band, and released a few albums, most notably working on The Endless Summer II. They also rerecorded (in 1992) the original album (that includes a few new songs) using some of the original instruments. In 2002, the Georis', Blakeley, Gibson, and Brawner played at the Galaxy Theater in Santa Ana, California, to a packed house.

1972 - Honk - Pipeline Sequence

1972 - Honk - Pipeline Sequence

Play Song

Wikipedia

The band was formalized in 1970, recorded some demo songs, and then recorded their first album for a $1500 fee.

It was the soundtrack for the "cinematic cult classic" surf film, Five Summer Stories.

In the early 1970s they toured with The Beach Boys, Chicago, Jackson Browne and Dave Mason before splitting up in 1975.

The band reformed in 1985 and continue to occasionally perform.

Honk is an American rock band, based in Laguna Beach, California. It's best known for providing the soundtrack for the surf documentary film, Five Summer Stories.

Career

The band was formalized in 1970, recorded some demo songs, and then recorded their first album for a $1500 fee. It was the soundtrack for the "cinematic cult classic" surf film, Five Summer Stories. In the early 1970s they toured with The Beach Boys, Chicago, Jackson Browne and Dave Mason before splitting up in 1975. The band reformed in 1985 and continue to occasionally perform.

"Honk had a reputation for being a musician's kind of band," Stekol said. "It was a lot of fun. Honk's problem was with the business, not the players. No one had any difficulty with anyone else in the band. But no one had the ego to stay with it when things weren't working." - Richard Stekol, of Honk

Members

• Will Brady (bass and vocals)
• Craig Buhler (saxophone, clarinet, and flute)
• Tris Imboden (drums)
• Richard Stekol (vocals and guitar)
• Beth Fitchet Wood (vocals and guitar)
• Steve Wood (keyboards and vocals)

Honk's drummer, Tris Imboden, has also been a member of several other notable groups. This includes the Kenny Loggins Band, which was featured in the Number One soundtracks for prominent 1980s films, Caddyshack and Footloose. He was also the drummer for the multi-platinum Chicago from 1990 until 2018.

As drummer for the Kenny Loggins Band, Tris Imboden would collaborate with Richard Stekol. Loggins and Stekol co-wrote "Mr. Night", which was published in the album Keep the Fire and later in the soundtrack for Caddyshack.

Steve Wood is an award winner for his work on the soundtracks for the IMAX movies Everest and The Living Sea.

1997 - Slacktone - Tidal Wave

1997 - Slacktone - Tidal Wave

Slacktone - Huntington Beach Pier 7-3-2007

Slacktone - 2007 Album

Slacktone Facebook Page

Instrumental Surf Rock Super Group formed in 1995 with members of Jon and the Nightriders, Dick Dale

FOR BOOKING CONTACT: dustydrums@gmail.com

Westword Web Site
If your idea of surf tunes consists solely of Jan & Dean, "Wipeout" and "that Pulp Fiction song," then buckle up, because Slacktone is not your father's surf music. At various times throughout rock history, waves of surf bands have crashed onto the shores, and Slacktone is widely considered by instrumental aficionados to be among the very best of the third wave, the era from 1994 to the present. Its members - guitarist Dave Wronski, bassist Sam Bolle and drummer Dusty Watson - are virtuosos on their instruments. All have decades of surf under their feet - either traditionally, via Dick Dale's backing band, or through the surf-punk route in outfits such as Agent Orange. Together, united under the reverb, they have contributed sacred melodies such as "Tidal Wave" and "The Bells of St. Kahuna" to the surf community, transcending the limiting constraints of the genre in the process and providing a soundtrack more complex than most. Catch a wave.

Band Members

Dave Wronski - Guitar
Sam Bolle - Bass
Dusty Watson - Drummer

Dustin "Dusty" Watson is an American drummer who has played in a number of notable bands, as well as backed up famous solo artists.

Earning a scholarship to Stan Kenton Band Clinics and joining the Musicians Union at age 17 allowed Dusty to become a professional drummer at a young age. He formed local California punk band The Press and by the end of the 1970s he was also an original member of Jon and the Nightriders and The Stepmothers. After leaving The Runaways, Lita Ford asked Dusty to join her original line up and he recorded her debut album, Out for Blood, and toured with her from 1980 through 1984. After that he joined the band Legs Diamond, whom he would play with until 1993. During this period, Dusty did side work in a number of bands, including Concrete Blonde, Channel 3, Laureen Ellis, The Boss Martians and talk show host Wally George.

After leaving Legs Diamond, he played drums on hip hop group Boo-Yaa T.R.I.B.E.'s albums Metally Disturbed and Angry Samoans and toured Europe with them. He went on to join Sugartooth, but the band quickly broke up after they were dropped by Geffen Records. Shortly after this he started instrumental surf band Slacktone with co-founder Dave Wronski and started touring with Agent Orange (whom he would continue to work with through 2009). In 1997, he joined Dick Dale's backing band The Del-Tones, recording and touring with them through 2006.

In 2004 he joined The Queers to play on their albums Acid Beaters and Summer Hits No. 1.

Recently, he has drummed with the Supersuckers and Rhino Bucket.

He also joined the psychedelic punk rock/thrash metal, BLOODHOOK, recording their debut full-length album at the legendary Van Nuys, California recording studio, Sound City.

In March of 2009, Watson married Colorado-native and female drummer Rikki Styxx who moved to California following. In 2010, he joined The Balboas, subsequently releasing the albums Big As You Need in 2012 and Submit to the Blade in 2019.

Watson is currently a member of Rhino Bucket, the Queers, Becky Barksdale, Davie Allan and the Arrows, Slacktone, the Surfaris, The Balboas, and The Sonics.

     
       
     
     

Personal Stories

Personal Stories

Russ Howell Web Menu

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Dick Dale - June 2, 1999

I purchased a Slacktone CD in Boise, Idaho (5/27/1997). I searched for more Slacktone music and was told the group was no longer together. The music distributor gave me a name to contact; Dusty Watson.

I didn't know who Dusty was, but I e-mailed him and told him that the "Tidal Wave" track was the best drum solo I had heard and I was searching for more music by the Slacktone band. I also told him that I had a "Bucket List" of Surf Bands that I wanted to hear play live in a concert: Dick Dale, The Renegaids, and now Slacktone. He appreciated the comment and told me that he was the drummer for the Slacktone. He also said he was currently the drummer for Dick Dale - What are the odds!

Dusty Watson contacted me later in the summer and invited me to a Dick Dale Concert at the Hard Rock Cafe in Las Vegas on June 2, 1999. I was just leaving Southern California and headed back to Boise, Idaho on June 2, 1999. I drove to the Hard Rock Cafe concert in Las Vegas where Dusty Watson introduced me to Dick Dale. I stood a few feet away from Dick Dale while he played. Best concert ever!

Beach Boys - July 1976

A Beach Boys Concert was scheduled for July 1976 at the Anaheim Stadium. The promoter, Don Branker, promoted various events throughout Southern California, including the 1976 California FreeFormer World Skateboard Championships. He decided to use the Beach Boys Concert to promote the upcoming Skateboard Championships.

I had just returned from a six-month tour in Australia and was asked to perform at the concert. Several of the other skaters told me that I had been out of the country for too long and they were taking over. I kept quiet and watched them skate without much response from the audience. My turn came and the crowd of 55,000 people stood and cheered. It was the welcome back that I needed to continue. The same kids that had spoken down to me came over afterwards and asked to join my Skate Team.

Concert at Anaheim Stadium - July 1976 - Russ Howell Pre-Show Skateboard Demo.

Jan & Dean

I had won the 1975 U.S. National Skateboard Championships and several other Skateboard competitions. These contest winnings opened the door to several television appearances to promote skateboarding which included: Good Morning America, To Tell The Truth, and the Johnny Carson Tonight Show.

My appearance on the Tonight Show was cancelled three times, but the producers told me that my 16 minute interview with Bill Cosby was one of the highest ratings they had received for any non-Hollywood star guest. Jan & Dean sent me a complimentary 45rpm record of "Sidewalk Surfin'" which was given to me on the show.

Jan & Dean

I moved to Boise, Idaho in October 1992.

Jan & Dean were featured at a Free Concert in the Summer of 1993.

I was able to skate in front of the band stage during their concert.

The Renegaids

The Renegaids "Surf Crazy" album was given to me by my brother who initially got me involved with Surfing.

Side One:

1. Exotic
2. Surfin' Tragedy
3. Makaha
4. Delano Soul Beat
5. Revellion
6. Latinia

Side Two:

1. Tor-Chula
2. Blue Moon
3. Malibu Mash
4. Intoxica
5. Rin Con
6. Surfin' Safari

The Ventures

I attended their Disneyland show in Anaheim in the mid-1970's.

The Sandals

The Sandals would often play live during Bruce Brown's narration
of his film, "The Endless Summer."

I have watched "The Endless Summer"
more than any other movie.

I met Bruce Brown at the 1977 Catalina Classic Skateboard Slalom/Downhill Championships while he was filming the event for ABC's Wide World of Sports.

Honk

Five Summer Stories is a 1972 surf film by Jim Freeman and Greg MacGillivray.

Story by: Jim Freeman and Greg MacGillivray‎
Release date: 1972
Music by: Soundtrack by Honk

I attended a Honk concert at the Golden Bear in Huntington Beach.

A friend of mine, and former Skateboard Team Mate, Ed Nadalin, was the featured skater in the "Five Summer Stories" clip of "The Magic Rolling Board."

Slacktone

I purchased a Slacktone CD in Boise, Idaho (5/27/1997). I searched for more Slacktone music and was told the group was no longer together. The music distributor gave me a name to contact; Dusty Watson.

I didn't know who Dusty was, but I e-mailed him and told him that the "Tidal Wave" track was the best drum solo I had heard and I was searching for more music by the Slacktone band. I also told him that I had a "Bucket List" of Surf Bands that I wanted to hear play live in a concert: Dick Dale, The Renegaids, and now Slacktone. He appreciated the comment and told me that he was the drummer for the Slacktone. He also said he was currently the drummer for Dick Dale - What are the odds!

Dusty Watson contacted me later in the summer and invited me to a Dick Dale Concert at the Hard Rock Cafe in Las Vegas on June 2, 1999. I was just leaving Southern California and headed back to Boise, Idaho on June 2, 1999. I drove to the Hard Rock Cafe concert in Las Vegas where Dusty Watson introduced me to Dick Dale. I stood a few feet away from Dick Dale while he played. Best concert ever!

List of Surf Bands
& Surf Singers/Songwriters

The best surf music bands ever

Surfer Today

Surfing and music have always walked together. At the birth of modern surfing, music was there; playing a very important role in creating the perfect environment for the so-called surf culture.

In the early 60s, Californian surfers discovered surf music. Actually, they invented it. The Beach Boys arrived, inspiring the first modern surfing generation.

Light harmonies, cool tunes and pumping riffs: The Beach Boys were a big influence on interest in surf, and the perfect soundtrack for endless surf trips through sunshine California. Led by non-surfer by Brian Wilson (the only one in the band who didn't surf!), the band's popularity crossed oceans. Their songs were adopted by Australian and European surfers as anthems.

The Fender guitars, electric pianos, and the saxophone are true instruments of the surf music vibe. The Bel-Airs, The Challengers, The Shadows, The Atlantics, Dick Dale and the Del-Tones and the Surfaris topped the charts, but it was "Pet Sounds," the eleventh Beach Boys studio album, which came to be considered as the iconic collection of surf songs.

After the pioneers came the followers. Donavon Frankenreiter, Jack Johnson, The Phantom Surfers and Reef (plus many more) have rephrased the original surf classics with fresh, cool new sounds.

Many world surfers see Weezer, the band fronted by Rivers Cuomo, as the perfect example of the new alternative surf music. Weezer started in the 90s and have always delivered perfect tunes to get you fired up for a session. Search for "Surf Wax America" and "Island in the Sun" and get stoked.

If you would like to know more about surf music, don't miss "Sound of the Surf", a documentary film that gathers the surf songs that influenced the rock genre; starting with the early sounds heard in California in the 50s and 60s.

Surf music is in the DNA of the history of surf culture. Take a look at our list of surf bands and artists and listen to your highlights.

List of Surf Bands & Surf Singers/Songwriters

• Al Casey: Surfin' Hootenany (1963), Lonely Surfer, Surfin' Blues, Baja
• Aqua Velvets: Surf Nouveau, Guitar Noir
• Baymen
• Bob Vaught and The Renegaids
• Corky Carroll
• Dave Myers & The Surftones: Moment of Truth
• Dick Dale and His Del-Tones: Let's Go Trippin', Misirlou, Surf Beat
• Digger Revell's Denvermen: My Little Rocker's Turned Surfie, Surfside (1963)
• Donavon Frankenreiter: Free, Big Wave
• Eddie and The Showmen: Mr. Rebel, Far Away Places, Toes On The Nose, Movin'
• Frogmen: Underwater
• Gary Usher: Three Surfer Boys, My Little Surfin' Woodie
• Honk: Pipeline Sequence, Blue Of Your Backdrops
• Jack Johnson
• Jan and Dean: Surf City, Sidewalk Surfin'
• Jim Messina and The Jesters: The Breeze And I
• Jim Waller and The Deltas: Exotic, Trippin' At Trestles, Latin'ia, Church Key, Surfin'
• Johnny Devlin and The Devils
• Johnny Fortune: Soul Surfer (1963)
• Jon and The Nightriders: Rumble at Waikiki
• Longboard Ranch
• Aki Aleong And The Nobles: Come Surf With Me
• Reef
• Revels: Intoxica, Church Key
• Slacktone: Tidal Wave
• Surf Punks
• Surfmen: Taboo
• The Astronauts: Baja, Surf Party
• The Atlantics: Bombora (1963)
• The Avengers VI
• The Beach Boys: Surfin', Surfin' USA, Good Vibrations
• The Bel-Airs: Mr. Moto
• The Blue Hawaiians
• The Challengers: BullDog, Torquay
• The Chantays: Pipeline
• The Crossfires
• The Delltones
• The Gamblers
• The Halibuts
• The Honeys
• The Impacts
• The Invaders
• The Joy Boys
• The Lively Ones: Surf Rider, Surf City
• The Marketts
• The Mermen
• The Mighty Surf Lords: Suicide Surfer
• The Moon-Rays
• The New Dimensions
• The Original Surfaris: Surfer Joe, Wipeout
• The Packards
• The Phantom Surfers
• The Ryhthm Rockers
• The Sandals: The Endless Summer
• The Sentinals: Tor-Chula, Latinia
• The Shadows
• The Sunrays: I Live For The Sun
• The Superstocks
• The Surf Raiders
• The Surfaris
• The Surfers - Kelly Slater, Rob Machado, Peter King
• The Surfrajettes (Toronto) - Britney Spears Toxic Surf Cover
• The Temptations
• The Tornadoes: Bustin' Surfboards
• The Trashmen: Surfin' Bird, King Of The Surf
• The Ventures: Ninth Wave
• The Vibrants
• Tom Curren
• Weezer: Surf Wax America, Island In The Sun

Surfing Music List

Surfing Music List

Top 20 Featured Surf Songs on this Web Site

250,N,Blues-JuniorBrown-BluesSurfJam(3-34).mp3,3437408
1482,N,Oldies-AnnetteFunicello&TheBeachBoys-TheMonkeysUncle(2-32).mp3,2436412
1483,N,Oldies-AnnetteFunicello-BeachParty(1-48).mp3,1735136
1484,N,Oldies-AnnetteFunicello-BikiniBeachParty(1-48).mp3,1876096
1486,N,Oldies-AnnetteFunicello-CaliforniaSun(2-20).mp3,2246636
1500,N,Oldies-AnnetteFunicello-MuscleBeachParty(2-10).mp3,3120402
1504,N,Oldies-AnnetteFunicello-PineapplePrincess(2-22).mp3,2275280
1506,N,Oldies-AnnetteFunicello-RideTheWildSurf(2-13).mp3,3198769
1507,N,Oldies-AnnetteFunicello-SecretSurfin'Spot(1-59).mp3,2386545
1509,N,Oldies-AnnetteFunicello-SidewalkSurfin(2-08).mp3,2064512
1510,N,Oldies-AnnetteFunicello-SurferBoy(2-08).mp3,2056564
1511,N,Oldies-AnnetteFunicello-SurfersHoliday(1-58).mp3,1892480
1512,N,Oldies-AnnetteFunicello-Surfin(2-12).mp3,2121856
1513,N,Oldies-AnnetteFunicello-SurfinSafari(2-15).mp3,2162816
1514,N,Oldies-AnnetteFunicello-SurfinUSA(2-15).mp3,2175104
1515,N,Oldies-AnnetteFunicello-Swingin&Surfin(2-11).mp3,2103416
1520,N,Oldies-AnnetteFunicello-Waikiki(1-45).mp3,2540483
1544,N,Oldies-BeachBoys-01-LorrieMorgan-Don'tWorryBaby(3-17).mp3,3167336
1545,N,Oldies-BeachBoys-02-JamesHouse-LittleDeuceCoupe(2-52).mp3,2754044
1546,N,Oldies-BeachBoys-03-JuniorBrown-409(2-21).mp3,2271188
1547,N,Oldies-BeachBoys-04-DougSupernaw-Long TallTexan(4-03).mp3,3899804
1548,N,Oldies-BeachBoys-05-SawyerBrown-IGetAround(2-30).mp3,2406224
1549,N,Oldies-BeachBoys-06-TobyKeith-BeTrueToYourSchool(3-19).mp3,3195980
1550,N,Oldies-BeachBoys-07-RickyVanShelton-FunFunFun(2-21).mp3,2271188
1551,N,Oldies-BeachBoys-08-TGrahamBrown-HelpMeRhonda(3-11).mp3,3065036
1552,N,Oldies-BeachBoys-09-WillieNelson-WarmthOfTheSun(3-19).mp3,3200072
1553,N,Oldies-BeachBoys-10-CollinRaye-SloopJohnB(3-46).mp3,3629732
1554,N,Oldies-BeachBoys-11-KathyTroccoli-ICanHearMusic(3-15).mp3,3134600
1555,N,Oldies-BeachBoys-12-TimothyBSchmit-CarolineNo(3-20).mp3,3216440
1556,N,Oldies-BeachBoys-15(2-30).mp3,2422592
1557,N,Oldies-BeachBoys-409(1-55).mp3,1853804
1558,N,Oldies-BeachBoys-AllSummerLong(2-05).mp3,2021576
1559,N,Oldies-BeachBoys-BarbaraAnn(2-04).mp3,1997024
1560,N,Oldies-BeachBoys-BeTrueToYourSchool(2-04).mp3,1988840
1561,N,Oldies-BeachBoys-CaliforniaDreamin(3-08).mp3,3073220
1562,N,Oldies-BeachBoys-CaliforniaDreamin(3-12).mp3,3011840
1563,N,Oldies-BeachBoys-CaliforniaGirls(2-33).mp3,2463512
1564,N,Oldies-BeachBoys-ComeGoWithMe(2-06).mp3,2029760
1565,N,Oldies-BeachBoys-DanceDanceDance(1-58).mp3,1894724
1566,N,Oldies-BeachBoys-DoItAgain(2-19).mp3,2234360
1567,N,Oldies-BeachBoys-Don'tWorryBaby(2-39).mp3,2549444
1568,N,Oldies-BeachBoys-DoYouWannaDance(2-17).mp3,2195456
1569,N,Oldies-BeachBoys-FunFunFun(2-13).mp3,2140244
1570,N,Oldies-BeachBoys-GodOnlyKnows(2-48).mp3,2696756
1571,N,Oldies-BeachBoys-GoodVibrations(3-33).mp3,3429224
1572,N,Oldies-BeachBoys-HelpMeRhonda(2-42).mp3,2614916
1573,N,Oldies-BeachBoys-ICanHearMusic(2-37).mp3,2533076
1574,N,Oldies-BeachBoys-IGetAround(2-06).mp3,2029760
1575,N,Oldies-BeachBoys-InMyRoom(2-11).mp3,2115692
1576,N,Oldies-BeachBoys-Kokomo(3-33).mp3,3408764
1577,N,Oldies-BeachBoys-LittleHonda(1-51).mp3,1796516
1578,N,Oldies-BeachBoys-SloopJohnB(2-52).mp3,2766320
1579,N,Oldies-BeachBoys-SurferGirl(2-20).mp3,2254820
1580,N,Oldies-BeachBoys-Surfin'Safari(2-02).mp3,1964288
1581,N,Oldies-BeachBoys-Surfin'USA(2-25).mp3,2324384
1582,N,Oldies-BeachBoys-WarmthOfTheSun(2-50).mp3,2741768
1583,N,Oldies-BeachBoys-Wendy(2-24).mp3,2316200
1584,N,Oldies-BeachBoys-WhenIGrowUpToBeAMan(2-00).mp3,1927460
1585,N,Oldies-BeachBoys-Wouldn'tItBeNice(2-22).mp3,2857402
1586,N,Oldies-BeachBoys-You'reSoGoodToMe(2-15).mp3,2172980
1919,N,Oldies-ChubbyChecker-SurfParty(2-27).mp3,2369538
2552,N,Oldies-Jan&Dean-DeadMan'sCurve(2-27).mp3,2369396
2553,N,Oldies-Jan&Dean-DragCity(2-16).mp3,2189348
2554,N,Oldies-Jan&Dean-HeartAndSoul(2-05).mp3,2011264
2555,N,Oldies-Jan&Dean-HonoluluLulu(2-13).mp3,2140244
2556,N,Oldies-Jan&Dean-Linda(2-35).mp3,2496248
2557,N,Oldies-Jan&Dean-LittleOldLadyFromPasadena(2-23).mp3,2303924
2558,N,Oldies-Jan&Dean-NewGirlInSchool(2-23).mp3,2312108
2559,N,Oldies-Jan&Dean-RideTheWildSurf(2-18).mp3,2217992
2560,N,Oldies-Jan&Dean-SidewalkSurfin'(2-16).mp3,2193440
2561,N,Oldies-Jan&Dean-SidewalkSurfin(2-07).mp3,2044784
3413,N,Oldies-Surfaris-ImageOfAGirl(2-35).mp3,2488064
3504,N,Oldies-Trashmen-Surfin'Bird(2-18).mp3,2211840
5319,N,Surf-AgentOrange-Miserlou(2-07).mp3,1525760
5320,N,Surf-AgentOrange-Miserlou(2-38).mp3,2537849
5321,N,Surf-AgentOrange-MrMoto(1-59).mp3,2383580
5322,N,Surf-AgentOrange-OutOfLimits(2-22).mp3,2275328
5323,N,Surf-AgentOrange-Pipeline(3-50).mp3,3695204
5324,N,Surf-AgentOrange-ShakinAllOver(5-27).mp3,5237183
5325,N,Surf-AgentOrange-SurfBeat(2-19).mp3,2231355
5326,N,Surf-AkiAleong&TheNobles-BodySurf(2-01).mp3,1950744
5327,N,Surf-AlCasey-Surfin'Hootenanny(2-09).mp3,2074772
 5328,N,Surf-Astronauts-Baja(2-26).mp3,2348936
5329,N,Surf-Astronauts-ElAguila(2-02).mp3,2252073
5330,N,Surf-Astronauts-LindaLou(3-16).mp3,3151958
5331,N,Surf-Astronauts-Movin(1-56).mp3,1873003
5332,N,Surf-Astronauts-SurfParty(2-04).mp3,1984748
5333,N,Surf-Astronauts-TheHearse(2-12).mp3,2121374
5334,N,Surf-Astronauts-TheSurfParty(2-06).mp3,2021576
5335,N,Surf-Atlantics-FlightOfTheSurfGuitar(2-36).mp3,2507966
5336,N,Surf-Atlantics-Stompede(2-12).mp3,2127968
5337,N,Surf-Atlantics-TequilaStomp(3-14).mp3,3111834
5338,N,Surf-BeachBoys-CatchAWave(2-08).mp3,2062496
5339,N,Surf-BeachBoys-Surfin'(2-17).mp3,2205716
5340,N,Surf-BeachBoys-SurfingUSA(2-26).mp3,2344844
5341,N,Surf-BeachBoys-TheLonelySea-(2-23).mp3,2881067
5342,N,Surf-Belairs-MrMoto(2-11).mp3,2099324
5343,N,Surf-BlueFlames-555(1-51).mp3,1788332
5344,N,Surf-BlueFlames-Evolve(2-20).mp3,2242544
5345,N,Surf-BlueFlames-OlaOdessa(2-09).mp3,2074772
5346,N,Surf-BlueFlames-PledgeOfAllegiance(-57).mp3,924920
5347,N,Surf-BobbyFullerFour-Miserlou(5-50).mp3,5615637
5348,N,Surf-BobbyFullerFour-ThunderReef(1-59).mp3,2637824
5349,N,Surf-Bomboras-MileZero(2-00).mp3,1925834
5350,N,Surf-Centurians-BullwinklePartII(2-15).mp3,2172980
5351,N,Surf-Centurions-Intoxica(1-47).mp3,1726952
5352,N,Surf-Centurions-SurfBattle(3-02).mp3,3661824
5353,N,Surf-Challengers-HappyGuitars(1-40).mp3,1600401
5354,N,Surf-Challengers-K39(2-12).mp3,2119762
5355,N,Surf-Challengers-Kicks(2-31).mp3,2639872
5356,N,Surf-Challengers-Penetration(2-24).mp3,2314368
5357,N,Surf-Chantays-Banzai(2-06).mp3,2023731
5358,N,Surf-Chantays-KillerDana(2-14).mp3,2158720
5359,N,Surf-Chantays-MoveIt(2-31).mp3,2423327
 5360,N,Surf-Chantays-Pipeline(2-19).mp3,2238452
5361,N,Surf-Chevells-LetThereBeSurf(2-05_Skips).mp3,2021576
5362,N,Surf-CorkyCarroll-TanPunksOnBoards(2-54).mp3,4198267
5363,N,Surf-DaveMyers&TheSurftones-MomentOfTruth(2-44).mp3,2920423
5364,N,Surf-Devons-Pipeline-(2-48).mp3,2703028
5365,N,Surf-Devons-WipeOut-(2-18).mp3,2217778
5366,N,Surf-DickDale&GaryHoey-Misirlou97(3-02).mp3,2924672
5367,N,Surf-DickDale&StevieRayVaughan-18-Pipeline(2-58).mp3,2860436
5368,N,Surf-DickDale&StevieRayVaughn-Pipeline(2-55).mp3,2809984
5369,N,Surf-DickDale-03-Misirlou(2-10).mp3,2156612
5370,N,Surf-DickDale-04-MrPeppermintMan(2-24).mp3,2316200
5371,N,Surf-DickDale-05-SurfBeat(3-00).mp3,2884988
5372,N,Surf-DickDale-06-TakeItOff(2-10).mp3,2091140
5373,N,Surf-DickDale-07-KingOfTheSurfGuitar(2-08).mp3,2054312
5374,N,Surf-DickDale-08-HavaNagila(2-06).mp3,2029760
5375,N,Surf-DickDale-09-RidersInTheSky(2-14).mp3,2152520
5376,N,Surf-DickDale-ARunForLife(2-10).mp3,2090720
5377,N,Surf-DickDale-Bandito(5-32).mp3,6654080
5378,N,Surf-DickDale-BanzaiWipeout(2-16).mp3,2181164
5379,N,Surf-DickDale-CaliforniaSun(3-15).mp3,3126416
5380,N,Surf-DickDale-Caravan(4-47).mp3,3446410
5381,N,Surf-DickDale-CaterpillarCrawl-Rumble(3-57).mp3,3793412
5382,N,Surf-DickDale-ColoradoAvalancheSong(1-16).mp3,1219544
5383,N,Surf-DickDale-Compulsion(3-02).mp3,2914432
5384,N,Surf-DickDale-DeathTube(4-13).mp3,4051072
5385,N,Surf-DickDale-Esperanza(3-52).mp3,3723848
5386,N,Surf-DickDale-HotLinks(5-58).mp3,5749388
5387,N,Surf-DickDale-KingOfTheSurfGuitar-Live (2-35).mp3,2510848
 5388,N,Surf-DickDale-Let'sGoTrippin'(2-09).mp3,2087048
5389,N,Surf-DickDale-Let'sGoTrippin'(2-34).mp3,2483972
5390,N,Surf-DickDale-Mexico(3-03).mp3,2950460
 5391,N,Surf-DickDale-Misirlou(2-11).mp3,2099324
5392,N,Surf-DickDale-MrEliminator(2-00).mp3,1931552
5393,N,Surf-DickDale-NightRider(1-45).mp3,1690124
5394,N,Surf-DickDale-Nitro(3-19).mp3,3195980
5395,N,Surf-DickDale-Nitrus(3-29).mp3,4186240
5396,N,Surf-DickDale-OneDoubleOneOh(2-44).mp3,2631280
5397,N,Surf-DickDale-PeterGunn(3-29).mp3,3359660
5398,N,Surf-DickDale-RidersInTheSky(2-10).mp3,2095232
5399,N,Surf-DickDale-RingOfFire(3-22).mp3,3236900
5400,N,Surf-DickDale-ShakeNStomp(2-11).mp3,2105296
5401,N,Surf-DickDale-ShreddedHeat(2-45).mp3,2651744
5402,N,Surf-DickDale-SpaceMountain(1-35).mp3,1526444
5403,N,Surf-DickDale-SpearDance(4-37).mp3,4435856
5404,N,Surf-DickDale-SurfBeat(2-05).mp3,2005208
5405,N,Surf-DickDale-SurfingDreams(4-50).mp3,4642944
5406,N,Surf-DickDale-TacoWagon(2-10).mp3,2087746
5407,N,Surf-DickDale-TheEliminator(2-25).mp3,2327200
5408,N,Surf-DickDale-TheLongRide(6-21).mp3,6097208
5409,N,Surf-DickDale-TheNewVictor(2-46).mp3,2664020
5410,N,Surf-DickDale-TheVictor(3-17).mp3,3163244
5411,N,Surf-DickDale-TheWedge(2-21).mp3,2263004
5412,N,Surf-DickDale-TidalWave(2-01).mp3,1951872
5413,N,Surf-DickDale-TrailOfTears(4-52).mp3,4673192
5414,N,Surf-DickDale-UnknownTrack13(3-14).mp3,3112071
5415,N,Surf-DuaneEddy-BossGuitar(2-21).mp3,2293760
5416,N,Surf-DuaneEddy-CannonBall(1-50).mp3,1776056
5417,N,Surf-DuaneEddy-DanceWithTheGuitarMan(2-41).mp3,2576010
5418,N,Surf-DuaneEddy-PeterGunn(4-09).mp3,3993920
5419,N,Surf-DuaneEddy-RebelRouser(2-25).mp3,2324929
5420,N,Surf-DuaneEddy-StillRockin(2-02).mp3,1964288
5421,N,Surf-Eddie&TheShowmen-MrRebel(1-58).mp3,1898496
5422,N,Surf-ElCaminos-BigSurf(2-12).mp3,1591296
5423,N,Surf-Eliminators-PuntaBaja(3-37).mp3,3481097
5424,N,Surf-EscapeVelocity-SurfTilYouDie(4-23).mp3,4220261
5425,N,Surf-FabulousPlayboys-CheaterStomp(2-09).mp3,1639943
5426,N,Surf-FantasticBaggys-Tell'EmI'mSurfin'(2-03).mp3,1976564
5427,N,Surf-FenderIV-MalibuRun(2-26).mp3,3527711
5428,N,Surf-Fireballs-Bulldog(2-14).mp3,2684928
5429,N,Surf-Fireballs-Torquay-Tequila(1-58).mp3,2369486
5430,N,Surf-Frogmen-Underwater(2-08).mp3,2058240
5431,N,Surf-Gamblers-MoonDawg(2-15).mp3,2172250
5432,N,Surf-GaryHoey-WipeOut-(3-33).mp3,5133669
5433,N,Surf-GeneGray&Stingrays-SurfBunny(2-30).mp3,3016940
5434,N,Surf-GetWet-Reverbia(3-01).mp3,2905780
5435,N,Surf-GetWet-SurfinTheClassicsPart2(2-49).mp3,2717280
5436,N,Surf-Halibuts-Chumming(2-44).mp3,2917300
5437,N,Surf-HammerheadHalibuts(2-21).mp3,2271188
5438,N,Surf-Honeys-ShootTheCurl(2-21).mp3,2263004
5439,N,Surf-Honk-BlueOfYourBackDrops(2-01).mp3,1943828
5440,N,Surf-Honk-Don'tLetYourGoodbyeStand(2-51).mp3,2745860
5441,N,Surf-Honk-HighInTheMiddle-(4-47).mp3,4615904
5442,N,Surf-Honk-Lopez(3-36).mp3,3534306
5443,N,Surf-Honk-MadeMyStatement(2-37).mp3,2580523
 5444,N,Surf-Honk-PipelineSequence(4-27).mp3,4284452
5445,N,Surf-HuevosRancheros-AceO'Spades(2-37).mp3,2520800
5446,N,Surf-HuevosRancheros-BarBCutie(2-34).mp3,2475788
5447,N,Surf-HuevosRancheros-BoDiddlius(1-55).mp3,1845620
5448,N,Surf-HuevosRancheros-CindyWithAnS(2-51).mp3,2737676
5449,N,Surf-HuevosRancheros-CrowChildTrail(2-27).mp3,2353028
5450,N,Surf-HuevosRancheros-DriveThruAtMolly'sReach(2-06).mp3,2021576
5451,N,Surf-HuevosRancheros-Endsville(3-25).mp3,3290096
5452,N,Surf-HuevosRancheros-GutBomb(2-06).mp3,2017484
5453,N,Surf-HuevosRancheros-Huevosaurus(3-25).mp3,3294188
5454,N,Surf-HuevosRancheros-LatinRanch(2-24).mp3,2316200
5455,N,Surf-HuevosRancheros-MothDance(1-36).mp3,1538720
5456,N,Surf-HuevosRancheros-PleasePassTheKetchup(3-16).mp3,3138692
5457,N,Surf-HuevosRancheros-RocketToNowhere(2-52).mp3,2762228
5458,N,Surf-HuevosRancheros-TheShortHappySong(1-24).mp3,1354580
5459,N,Surf-HuevosRancheros-Wild'nWendy(2-37).mp3,2520800
5460,N,Surf-Impacts-Revellion(2-20).mp3,2244705
5461,N,Surf-Jan&Dean-RideTheWildSurf(2-18) .mp3,2221063
5462,N,Surf-Jan&Dean-She'sMySummerGirl(2-45).mp3,2655836
5463,N,Surf-Jan&Dean-SurfCity(2-38).mp3,2539620
5464,N,Surf-Jan&Dean-Surfin(2-17).mp3,1648640
5465,N,Surf-JimWaller&Deltas-Intoxica(2-52).mp3,2768480
5466,N,Surf-JimWaller&TheDeltas-Surfin'Tragedy(2-39).mp3,3198169
5467,N,Surf-JohnnyFortune-SoulSurfer(2-34).mp3,2467840
5468,N,Surf-Jon&TheNightRiders-Baja(2-43).mp3,2687520
5469,N,Surf-Jon&TheNightRiders-BombayBeach(2-04).mp3,1994211
5470,N,Surf-Jon&TheNightRiders-Bombora(2-08).mp3,2122440
5471,N,Surf-Jon&TheNightRiders-Catalina(1-49).mp3,1813568
5472,N,Surf-Jon&TheNightRiders-DarkEyes(2-11).mp3,2101261
5473,N,Surf-Jon&TheNightRiders-DepthCharge95(3-13).mp3,3097772
5474,N,Surf-Jon&TheNightRiders-DiamondHead(2-47).mp3,2672204
5475,N,Surf-Jon&TheNightRiders-EarthquakeAtSurfCity(3-09).mp3,3039644
5476,N,Surf-Jon&TheNightRiders-Geronimo(2-18).mp3,2286280
5477,N,Surf-Jon&TheNightRiders-HitMan(3-16).mp3,3204536
5478,N,Surf-Jon&TheNightRiders-KamiKaze(2-13).mp3,2208957
5479,N,Surf-Jon&TheNightRiders-MidnightRun(2-58).mp3,2856344
5480,N,Surf-Jon&TheNightRiders-MinorChaos(2-08).mp3,2125783
5481,N,Surf-Jon&TheNightRiders-MoonCricket(2-13).mp3,2196836
5482,N,Surf-Jon&TheNightRiders-Riptide(2-29).mp3,2461405
5483,N,Surf-Jon&TheNightRiders-RoadAgent(2-08).mp3,2125783
5484,N,Surf-Jon&TheNightRiders-RumbleAtWaikiki(2-31).mp3,2427008
5485,N,Surf-Jon&TheNightRiders-RussianRoulette(2-35).mp3,2568402
5486,N,Surf-Jon&TheNightRiders-SleighRide(2-09).mp3,1556817
5487,N,Surf-Jon&TheNightRiders-Speedway(2-03).mp3,2054312
5488,N,Surf-Jon&TheNightRiders-StormDancer(2-50).mp3,2722277
5489,N,Surf-Jon&TheNightRiders-SuicideBay(1-59).mp3,1979916
5490,N,Surf-Jon&TheNightRiders-SuperJetRumble(2-23).mp3,2366528
5491,N,Surf-Jon&TheNightRiders-SurfsUp(2-50).mp3,2722279
5492,N,Surf-Jon&TheNightRiders-TheForceOfGravity(2-22).mp3,2345630
5493,N,Surf-Jon&TheNightRiders-TheWedge(2-47).mp3,2746871
5494,N,Surf-Jon&TheNightRiders-ThunderOverRincon(2-15).mp3,2172980
5495,N,Surf-Jon&TheNightriders-Twitchin(2-05).mp3,2005768
5496,N,Surf-Jon&TheNightRiders-XL-3(2-09).mp3,2140412
5497,N,Surf-JuniorBrown-SurfMedley(7-03).mp3,6768872
5498,N,Surf-Laika&TheCosmonauts-Psyko(2-24).mp3,2883001
5499,N,Surf-Laika&TheCosmonauts-SurfRoMania(1-54).mp3,1839104
5500,N,Surf-LinkWray-AceOfSpades-14(2-22).mp3,2279372
5501,N,Surf-LinkWray-Ain'tThatLovin'YouBabe-06(2-47).mp3,2684480
5502,N,Surf-LinkWray-BatmanTheme-16(2-00).mp3,1927460
5503,N,Surf-LinkWray-BigCityAfterDark-09(2-53).mp3,2774504
5504,N,Surf-LinkWray-ClimbingAHighWall-18(4-01).mp3,3867068
5505,N,Surf-LinkWray-Comanche(2-02).mp3,1967929
5506,N,Surf-LinkWray-DeucesWild-12(2-24).mp3,2308016
5507,N,Surf-LinkWray-DixieDoodle-04(2-09).mp3,2078864
5508,N,Surf-LinkWray-HangOn-13(2-27).mp3,2260992
5509,N,Surf-LinkWray-HiddenCharms-17(2-41).mp3,2586272
5510,N,Surf-LinkWray-I'mBranded-15(2-04).mp3,1988840
5511,N,Surf-LinkWray-JackTheRipper-07(2-21).mp3,2271188
5512,N,Surf-LinkWray-JackTheRipper-Live-20(4-45).mp3,4562708
5513,N,Surf-LinkWray-Ramble-05(2-15).mp3,2164796
5514,N,Surf-LinkWray-RawHide-03(2-06).mp3,2025668
5515,N,Surf-LinkWray-Rumble-1958(2-26).mp3,2340752
5516,N,Surf-LinkWray-RunChickenRun-10(1-57).mp3,1874264
5517,N,Surf-LinkWray-Switchblade-19(3-13).mp3,3097772
5518,N,Surf-LinkWray-TheBlackWidow-08(1-52).mp3,1792424
5519,N,Surf-LinkWray-TheShadowKnows-11(2-27).mp3,2361212
5520,N,Surf-LinkWray-TheSwag(2-21).mp3,2258944
5521,N,Surf-LivelyOnes-CaterpillarCrawl-(2-36).mp3,3131687
5522,N,Surf-LivelyOnes-CrazySurf(2-28).mp3,1855886
5523,N,Surf-LivelyOnes-FortyMilesOfBadSurf(-).mp3,2255030
5524,N,Surf-LivelyOnes-GoofyFoot-(2-58).mp3,3575246
5525,N,Surf-LivelyOnes-GuitarMan-(2-31).mp3,3024585
5526,N,Surf-LivelyOnes-HappyGremmie-(3-03).mp3,3677124
5527,N,Surf-LivelyOnes-HillbillieSurf(2-41).mp3,3227208
5528,N,Surf-LivelyOnes-HotDoggen-(2-57).mp3,3560095
5529,N,Surf-LivelyOnes-LetsGoTrippin-(3-01).mp3,3624879
5530,N,Surf-LivelyOnes-Miserlou(2-29).mp3,2993248
5531,N,Surf-LivelyOnes-MrMoto(2-08).mp3,2572057
5532,N,Surf-LivelyOnes-ParadiseCove-(3-47).mp3,4543867
5533,N,Surf-LivelyOnes-Pipeline(2-13).mp3,2128546
5534,N,Surf-LivelyOnes-Rik-A-Tik(2-38).mp3,2528984
5535,N,Surf-LivelyOnes-Rumble-BustinSurfboards(3-14).mp3,3898032
5536,N,Surf-LivelyOnes-Stoked(2-30).mp3,3014571
5537,N,Surf-LivelyOnes-SurfBeat-(2-25).mp3,2908079
5538,N,Surf-LivelyOnes-SurfDrums(2-59).mp3,3582995
5539,N,Surf-LivelyOnes-SurfersLament-(2-34).mp3,3099818
5540,N,Surf-LivelyOnes-SurfRider-(3-17).mp3,3957157
5541,N,Surf-LivelyOnes-SurfRiders(3-21).mp3,3216440
5542,N,Surf-LivelyOnes-WalkinTheBoard-(2-19).mp3,2784259
5543,N,Surf-LivelyOnes-WildWeekend(2-10).mp3,2097152
5544,N,Surf-LosStraitjackets-AllThatGlitters(2-47).mp3,3346432
5545,N,Surf-LosStraitjackets-Brains&Eggs(3-08).mp3,3010362
5546,N,Surf-LosStraitjackets-Branded(2-55).mp3,3507412
5547,N,Surf-LosStraitjackets-Calhoun(1-45).mp3,1690124
5548,N,Surf-LosStraitjackets-Carhop(2-14).mp3,2153545
5549,N,Surf-LosStraitjackets-Cavalcade(2-33).mp3,2458981
5550,N,Surf-LosStraitjackets-Caveman(2-47).mp3,2345819
5551,N,Surf-LosStraitjackets-CloseTheChampaign(3-50).mp3,3687020
5552,N,Surf-LosStraitjackets-DellaStreet(3-55).mp3,3760676
5553,N,Surf-LosStraitjackets-Espionage(2-25).mp3,2325983
5554,N,Surf-LosStraitjackets-Fury(2-11).mp3,2104883
5555,N,Surf-LosStraitjackets-Gatecrusher(2-04).mp3,1489421
5556,N,Surf-LosStraitjackets-GMan(3-13).mp3,3101864
5557,N,Surf-LosStraitjackets-HornetsNest(3-00).mp3,2892406
5558,N,Surf-LosStraitjackets-ItchyChicken(2-42).mp3,2603042
5559,N,Surf-LosStraitjackets-JettyMotel(2-33).mp3,2458145
5560,N,Surf-LosStraitjackets-Kawanga-(2-22).mp3,2283464
5561,N,Surf-LosStraitjackets-Lawnmower(2-15).mp3,2169336
5562,N,Surf-LosStraitjackets-LonelyApache(2-55).mp3,2814665
5563,N,Surf-LosStraitjackets-LurkingInTheShadows(2-31).mp3,2416768
5564,N,Surf-LosStraitjackets-Lynxtail(2-51).mp3,2750391
5565,N,Surf-LosStraitjackets-MunstersTheme(2-53).mp3,2087040
5566,N,Surf-LosStraitjackets-MyHeartWillGoOn(4-29).mp3,4315136
5567,N,Surf-LosStraitjackets-NightmareInMonteCristo(3-29).mp3,3350656
5568,N,Surf-LosStraitjackets-OuttaGear(2-04).mp3,1990031
5569,N,Surf-LosStraitjackets-Pacifica(3-00).mp3,2895331
5570,N,Surf-LosStraitjackets-Rampage(2-28).MP3,2377571
5571,N,Surf-LosStraitjackets-Rockula(2-45).mp3,3207168
5572,N,Surf-LosStraitjackets-SingSingSing(3-23).mp3,3250176
5573,N,Surf-LosStraitjackets-StateFair(2-34).mp3,2474028
5574,N,Surf-LosStraitjackets-Sterno(1-51).mp3,1776056
5575,N,Surf-LosStraitjackets-Straitjacket(3-37).mp3,3475144
5576,N,Surf-LosStraitjackets-SurfRider(2-36).mp3,2500340
5577,N,Surf-LosStraitjackets-Swampfire(3-53).mp3,5599360
5578,N,Surf-LosStraitjackets-Tabouli(3-39).mp3,3508477
5579,N,Surf-LosStraitjackets-Tailspin(4-02).mp3,3883436
5580,N,Surf-LosStraitjackets-TakeMeOutToTheBallGame(1-52).mp3,1800192
5581,N,Surf-LosStraitjackets-Tempest(3-22).mp3,3248128
5582,N,Surf-LosStraitjackets-TheCasbah(2-40).mp3,2569536
5583,N,Surf-LosStraitjackets-TijuanaBoots(2-50).mp3,3436544
5584,N,Surf-LosStraitjackets-Tsunami(2-29).mp3,2385764
5585,N,Surf-LosStraitjackets-UniversityBlvd(2-52).mp3,3442688
5586,N,Surf-LosStraitjackets-VenturingOut(2-47).mp3,2689190
5587,N,Surf-LosStraitjackets-WrongPlanet(1-45).mp3,1484560
5588,N,Surf-Malibooz-FirestormAtSurfRider(2-08).mp3,2066588
5589,N,Surf-Malibooz-GoinToMalibu(3-00).mp3,2884988
5590,N,Surf-Malibooz-Tower9-LongboardVersion(2-30).mp3,4205842
5591,N,Surf-Malibooz-Tower9-ShortboardVersion(1-58).mp3,1898816
5592,N,Surf-ManOrAstroMan-AlienVisitors(6-54).mp3,6629168
5593,N,Surf-ManOrAstroMan-CattleDrive(2-50).mp3,2729492
5594,N,Surf-ManOrAstroMan-CleanUpOnAisle9(2-34).mp3,2475788
5595,N,Surf-ManOrAstroMan-CowboyPlayingDead(1-54).mp3,1833344
5596,N,Surf-ManOrAstroMan-EricEstrotica(3-22).mp3,3240992
5597,N,Surf-ManOrAstroMan-EscapeThroughTheAirVent(2-23).mp3,2291648
5598,N,Surf-ManOrAstroMan-InvasionOfTheDragonmen(2-14).mp3,2148428
5599,N,Surf-ManOrAstroMan-JourneyToTheStars(2-27).mp3,2369396
5600,N,Surf-ManOrAstroMan-MermaidLove(3-20).mp3,3208256
5601,N,Surf-ManOrAstroMan-NitrousBurnOut(3-16).mp3,3146876
5602,N,Surf-ManOrAstroMan-OrganSmash(1-46).mp3,1702400
5603,N,Surf-ManOrAstroMan-SadieHawkinsAtomBomb(2-45).mp3,2655836
5604,N,Surf-ManOrAstroman-SurfTerror(2-55).mp3,2802126
5605,N,Surf-ManOrAstroman-TaxidermistSurf(2-12).mp3,2115692
5606,N,Surf-ManOrAstroMan-TaxidermistSurf(2-52).mp3,2770412
5607,N,Surf-ManOrAstroMan-TheHumanCalculator(2-55).mp3,2807240
5608,N,Surf-MarkBrodie-BadHairDay(3-04).mp3,2958644
5609,N,Surf-MarkBrodie-BanzaiRider(2-15).mp3,2168888
5610,N,Surf-MarkBrodie-BitchStoleMyBoard(2-28).mp3,2377580
5611,N,Surf-MarkBrodie-DayTheSurfStoodStill(2-19).mp3,2238452
5612,N,Surf-MarkBrodie-DeathAtMileZero(2-52).mp3,2766320
5613,N,Surf-MarkBrodie-FrogsCan'tSurf(2-00).mp3,1931552
5614,N,Surf-MarkBrodie-Jezebel(2-20).mp3,2254820
5615,N,Surf-MarkBrodie-MeltDown(1-51).mp3,1780148
5616,N,Surf-MarkBrodie-PhantomWave(2-30).mp3,2422592
5617,N,Surf-MarkBrodie-ScarlettO'Hara(2-13).mp3,2136152
5618,N,Surf-MarkBrodie-Scratch(2-20).mp3,2263004
5619,N,Surf-MarkBrodie-SpinCycle(2-45).mp3,2643560
5620,N,Surf-MarkBrodie-SuicideRide(2-25).mp3,2324384
5621,N,Surf-MarkBrodie-ThemeFromTheOldWest(2-45).mp3,2651744
5622,N,Surf-MarkBrodie-TheShoresOfHell(2-42).mp3,2606732
5623,N,Surf-MarkBrodie-Wedgie(1-49).mp3,1747412
5624,N,Surf-Matadors-ComeOnLetYourselfGo(2-14).mp3,2152520
5625,N,Surf-Mermen-AndTheFlowersThey'llBloom(9-48).mp3,9419912
5626,N,Surf-Mermen-BetweenI&Thou(9-16).mp3,8900228
5627,N,Surf-Mermen-BlueXoam(4-09).mp3,3993920
5628,N,Surf-Mermen-Brahms3rdMovement(2-38).mp3,2537168
5629,N,Surf-Mermen-DrowningManKnowsHisGod(3-32).mp3,3400580
5630,N,Surf-Mermen-Drub(3-21).mp3,3228716
5631,N,Surf-Mermen-IntractableBoy(4-27).mp3,4284452
5632,N,Surf-Mermen-Lizards(3-56).mp3,3781136
5633,N,Surf-Mermen-NoDefiniteFuture(4-27).mp3,4272176
5634,N,Surf-Mermen-ObsessionForMen(9-22).mp3,9006620
5635,N,Surf-Mermen-PulpinLine(3-57).mp3,3805688
5636,N,Surf-Mermen-QuoMeCunQue(5-14).mp3,5037380
5637,N,Surf-Mermen-ScalpSalad(3-52).mp3,3723848
5638,N,Surf-Mermen-UnderTheKouTree(5-41).mp3,5462948
5639,N,Surf-MuffinMates-Pipeline-(2-04).mp3,2491434
5640,N,Surf-NightOfTheLivingWedge-Wedge(2-35).mp3,2494090
5641,N,Surf-PaulJohnson-Tsunami(2-45).mp3,2645704
5642,N,Surf-Penetrators-CheckPointEcho(3-01).mp3,2905232
5643,N,Surf-Penetrators-NightOfTheDrunkenCheerleaders(2-28).mp3,2373488
5644,N,Surf-Penetrators-Redlined(2-43).mp3,2619008
5645,N,Surf-Penetrators-SouthernSurfSyndicate(2-40).mp3,2570030
5646,N,Surf-Pharos-Pintor(2-15).mp3,2168888
5647,N,Surf-PiltdownMen-BrontosaurusStomp(2-29).mp3,2385764
5648,N,Surf-PrestonEpps-BongoRock(2-06).mp3,2028871
 5649,N,Surf-Pyramids-Penetration(1-59).mp3,1919276
5650,N,Surf-Pyramids-PyramidStomp(2-04).mp3,1997024
5651,N,Surf-Ramones-SurfCity(2-36).mp3,2348640
5652,N,Surf-RatHolic-WipeOut-(2-10).mp3,1569523
5653,N,Surf-RavingDaves-WipeOut-(LowVolume)-(2-36).mp3,3760510
5654,N,Surf-ReadyMen-Disintegration(2-22).mp3,2295259
5655,N,Surf-RedElvises-CosmicSurfer(2-34).mp3,2475788
5656,N,Surf-Renegaids-DelanoSoulBeat(2-30).mp3,2408619
5657,N,Surf-Renegaids-Exotic(1-52).mp3,1800608
5658,N,Surf-Renegaids-Latinia(2-14).mp3,2152520
5659,N,Surf-Renegaids-MileZero(1-55).mp3,1855616
5660,N,Surf-Renegaids-SteelPier(2-23).mp3,2302080
 5661,N,Surf-Renegaids-SurfingTragedy(1-58).mp3,1890632
5662,N,Surf-Renegaids-SurfingTragedy(2-02).mp3,1957222
5663,N,Surf-Revels-ChurchKey(2-01).mp3,1949976
5664,N,Surf-Revels-Comanche(2-12).mp3,2643968
 5665,N,Surf-Revels-Intoxica(1-57).mp3,1886540
5666,N,Surf-ReverendHortonHeat-ICan'tSurf(2-41).mp3,2586041
5667,N,Surf-RichieAllen-TheRisingSurf(2-42).mp3,1949696
5668,N,Surf-Robby&TheRobbins-Surfer'sLife(1-52).mp3,1800608
5669,N,Surf-Rondels-BackBeatNo1(2-13).mp3,2148428
5670,N,Surf-Rondels-OnTheRun(2-15).mp3,3247467
5671,N,Surf-Rotations-Heavies(1-45).mp3,2522097
5672,N,Surf-Rumblers-SurfRat(1-52).mp3,1805866
5673,N,Surf-Sandals-6Pak(2-13).mp3,2142336
5674,N,Surf-Sandals-JetBlack(3-04).mp3,2949120
5675,N,Surf-Sandals-PleasurePoint(3-20).mp3,3211264
 5676,N,Surf-Sandals-TheEndlessSummer(3-21).mp3,3228716
5677,N,Surf-Sandals-TheEndlessSummer-(3-28).mp3,4179678
5678,N,Surf-Sandals-Wingnut'sTheme(4-32).mp3,4366292
5679,N,Surf-SandBlasters-BodyBag(2-26).mp3,2344844
5680,N,Surf-SandBlasters-FiberGlassCamel(4-11).mp3,4018472
5681,N,Surf-SandBlasters-JupiterBeach(2-51).mp3,2749952
5682,N,Surf-SandBlasters-MookiestLimbo(2-54).mp3,2799056
5683,N,Surf-SandBlasters-MyanSunDance(2-37).mp3,2520800
5684,N,Surf-SandBlasters-NakedPiranha(3-24).mp3,3277820
5685,N,Surf-SandBlasters-OysterWax(2-17).mp3,2197532
5686,N,Surf-SandBlasters-Petrina(3-21).mp3,3220532
5687,N,Surf-SandBlasters-TarantulaTaco(3-04).mp3,2950460
5688,N,Surf-SandBlasters-WaterGunn(2-56).mp3,2831792
5689,N,Surf-SandBlasters-WaveKing(2-42).mp3,2594456
5690,N,Surf-SandBlasters-WeirdSatellite(2-15).mp3,2160704
5691,N,Surf-Satan'sPilgrims-BoneShaker(2-22).mp3,2279372
5692,N,Surf-Satan'sPilgrims-BossBSA(3-58).mp3,3809780
5693,N,Surf-Satan'sPilgrims-BrokenDownDeuce(2-36).mp3,2504432
5694,N,Surf-Satan'sPilgrims-CreatureFeature(3-58).mp3,3809780
5695,N,Surf-Satan'sPilgrims-ExtraHelpin(2-24).mp3,2312108
5696,N,Surf-Satan'sPilgrims-Ghoulash(4-30).mp3,4325372
5697,N,Surf-Satan'sPilgrims-GraveUp(2-23).mp3,2291648
5698,N,Surf-Satan'sPilgrims-IchabobCrane(2-10).mp3,2087048
5699,N,Surf-Satan'sPilgrims-Ragtop(3-54).mp3,3752492
5700,N,Surf-Satan'sPilgrims-RanGoon(4-16).mp3,4104404
5701,N,Surf-Satan'sPilgrims-Scorpio6(3-28).mp3,3339200
5702,N,Surf-Satan'sPilgrims-Tranquilzer(1-48).mp3,1739228
5703,N,Surf-Satan'sPilgrims-Vampiro(1-59).mp3,1907000
5704,N,Surf-Sentinals-BigSurf(2-16).mp3,2177540
 5705,N,Surf-Sentinals-Exotic(1-59).mp3,1919276
5706,N,Surf-Sentinals-Intoxico(1-57).mp3,1878016
 5707,N,Surf-Sentinals-Latinia(2-28).mp3,2381672
5708,N,Surf-Sentinals-LatinSoul(2-01).mp3,1958266
5709,N,Surf-Sentinals-Revellion(1-12).mp3,1170969
5710,N,Surf-Sentinals-SunsetBeach(2-12).mp3,2112911
5711,N,Surf-Sentinals-SurferGirl(2-16).mp3,2177274
5712,N,Surf-Sentinals-Surfin'Tragedy-Vocal(2-10).mp3,2087143
5713,N,Surf-Sentinals-ThePipe(2-07).mp3,2045202
 5714,N,Surf-Sentinals-Torchula(2-08).mp3,2050220
5715,N,Surf-ShadowyMenOnShadowyPlanet-13(1-55).mp3,1845620
5716,N,Surf-ShadowyMenOnShadowyPlanet-AlgomaReflection(2-56).mp3,2827700
5717,N,Surf-ShadowyMenOnShadowyPlanet-BabyWetsItself(5-52).mp3,5634812
5718,N,Surf-ShadowyMenOnShadowyPlanet-CheeseInTheFridge(5-52).mp3,3879344
5719,N,Surf-ShadowyMenOnShadowyPlanet-Don'tCallThemChihuahuas(2-25).mp3,2332568
5720,N,Surf-ShadowyMenOnShadowyPlanet-Farbs(2-52).mp3,2754044
5721,N,Surf-ShadowyMenOnShadowyPlanet-FortuneTellinChicken(1-32).mp3,1477340
5722,N,Surf-ShadowyMenOnShadowyPlanet-HaigEarl(1-02).mp3,1006760
5723,N,Surf-ShadowyMenOnShadowyPlanet-HoneyYou'reWastinAmmo(3-39).mp3,3506972
5724,N,Surf-ShadowyMenOnShadowyPlanet-MemoriesOfGayParee(1-47).mp3,1726952
5725,N,Surf-ShadowyMenOnShadowyPlanet-OffOurBack(1-09).mp3,1117244
5726,N,Surf-ShadowyMenOnShadowyPlanet-PeasPorridgeRock(1-27).mp3,1395500
5727,N,Surf-ShadowyMenOnShadowyPlanet-PlasticsFor500(1-45).mp3,1681940
5728,N,Surf-ShadowyMenOnShadowyPlanet-SpendANight(-44).mp3,716228
5729,N,Surf-ShadowyMenOnShadowyPlanet-SpySchoolGraduation(2-33).mp3,2455328
5730,N,Surf-ShadowyMenOnShadowyPlanet-ThatWuzEarMeCallin(2-53).mp3,2770412
5731,N,Surf-ShadowyMenOnShadowyPlanet-TheSingingCowboy(1-21).mp3,1309568
5732,N,Surf-ShadowyMenOnShadowyPlanet-ThinkYouAreAChicken(2-57).mp3,2844068
5733,N,Surf-ShadowyMenOnShadowyPlanet-ThreePieceSuit(2-22).mp3,2275280
5734,N,Surf-ShadowyMenOnShadowyPlanet-WellBeRightBack(1-20).mp3,1280924
5735,N,Surf-ShadowyMenOnShadowyPlanet-WhatILikeAboutGrease(2-15).mp3,2168888
5736,N,Surf-Shutdowns-BeachBuggy(2-06).mp3,2029760
5737,N,Surf-Shutdowns-FourInTheFloor(1-47).mp3,1722860
5738,N,Surf-SillySurfers-Cowabunga(1-59).mp3,1923368
5739,N,Surf-Slacktone-GungHoForDonHo(2-46).mp3,2668112
5740,N,Surf-Slacktone-IntoTheBlueSparkle(4-11).mp3,4018290
5741,N,Surf-Slacktone-Medley-(29-36).mp3,21319808
5742,N,Surf-Slacktone-PCH(2-27).mp3,2353028
5743,N,Surf-Slacktone-SkateboardCommando(2-19).mp3,2246636
5744,N,Surf-Slacktone-SkeletonKey(2-49).mp3,2717216
5745,N,Surf-Slacktone-TheBellsOfStKahuna(4-05).mp3,3920264
5746,N,Surf-Slacktone-TheOutsider(3-34).mp3,3437408
 5747,N,Surf-Slacktone-TidalWave(2-21).mp3,2258912
5748,N,Surf-Spoilers-WipeOut-(2-31).mp3,2428698
5749,N,Surf-Stingrays-01-Don'tFearTheReverb(3-08).mp3,3015932
5750,N,Surf-Stingrays-02-LosMosquitos(-).mp3,2676296
5751,N,Surf-Stingrays-03-SunnysideUp(3-01).mp3,2897264
5752,N,Surf-Stingrays-04-LaChancha(3-55).mp3,3772952
5753,N,Surf-Stingrays-05-HawaiianPullout(3-21).mp3,3220532
5754,N,Surf-Stingrays-06-Bodybag(3-51).mp3,3707480
5755,N,Surf-Stingrays-07-WeinersAndBeans(2-40).mp3,2573996
5756,N,Surf-Stingrays-08-Pipeline(2-04).mp3,1997024
5757,N,Surf-Stingrays-09-Larry'sGotALongboard(2-59).mp3,2876804
5758,N,Surf-Stingrays-10-ImpactZone(4-30).mp3,4329464
5759,N,Surf-Stingrays-11-Sabrina(2-28).mp3,2369396
5760,N,Surf-Stingrays-12-GoneSurfing(3-40).mp3,3527432
5761,N,Surf-Stingrays-13-Nitro(2-51).mp3,2741768
5762,N,Surf-Stingrays-SunnysideUp(3-01).mp3,2901472
5763,N,Surf-SummerWave-EndlessSummer(3-13).mp3,3101864
5764,N,Surf-SummerWave-Penetration(2-43).mp3,2623100
5765,N,Surf-SummerWave-Pipeline(2-06).mp3,2029760
5766,N,Surf-SummerWave-SurfRider(3-11).mp3,3069128
5767,N,Surf-SummerWave-WipeOut(2-37).mp3,2524892
5768,N,Surf-SumpPumpMonkeys-KamikazePlunge(3-07).mp3,2995223
5769,N,Surf-Sunrays-ILiveForTheSun(2-29).mp3,2385764
5770,N,Surf-SurfAddicts-01-Twelver(3-04).mp3,2946368
5771,N,Surf-SurfAddicts-02-Sundown(4-30).mp3,4325372
5772,N,Surf-SurfAddicts-03-TouristGirls(2-36).mp3,2508524
5773,N,Surf-SurfAddicts-04-PartyInLaguna(2-28).mp3,2373488
5774,N,Surf-SurfAddicts-05-WhenJahComes(3-10).mp3,3052760
5775,N,Surf-SurfAddicts-06-HurricaneSophia(4-35).mp3,4403120
5776,N,Surf-SurfAddicts-07-SatelliteSurf(3-21).mp3,3216440
5777,N,Surf-SurfAddicts-08-AddictedToSurf(2-18).mp3,2213900
5778,N,Surf-SurfAddicts-09-NoSleepTilBrooksSt(5-15).mp3,5045564
5779,N,Surf-SurfAddicts-10-RedFlagDay(3-18).mp3,3183704
5780,N,Surf-SurfAddicts-11-DreaminOfSummer(2-46).mp3,2664020
5781,N,Surf-SurfAddicts-12-SurfOrDie_TropicalZone(5-15).mp3,5041472
5782,N,Surf-SurfAddicts-13-WaxItUp(2-46).mp3,2664020
5783,N,Surf-SurfAddicts-14-SurfBum(2-54).mp3,2799056
5784,N,Surf-SurfAddicts-15-Don'tHairOutAtWaimea(8-07).mp3,7799480
5785,N,Surf-Surfaris-ASurfer'sChristmasList(2-07).mp3,2045952
5786,N,Surf-Surfaris-Bombora(2-05).mp3,2009938
5787,N,Surf-Surfaris-PointPanic(2-14).mp3,2148428
5788,N,Surf-Surfaris-Shake'nStomp(2-09).mp3,2072787
5789,N,Surf-Surfaris-StormSurf(2-14).mp3,2148428
 5790,N,Surf-Surfaris-SurferJoe(3-38).mp3,3559424
5791,N,Surf-Surfaris-WaikikiRun(1-55).mp3,1841528
 5792,N,Surf-Surfaris-WipeOut(2-36).mp3,2508524
5793,N,Surf-Surfdusters-SaveTheWaves(3-05).mp3,2966020
5794,N,Surf-SurfingTheClassics(3-19).mp3,3197778
5795,N,Surf-Surfmen-ParadiseCove(2-57).mp3,2844068
5796,N,Surf-SurfRaiders-CurlRider(3-12).mp3,2311964
5797,N,Surf-SurfRaiders-SuicidePoint(2-35).mp3,2488064
5798,N,Surf-SurfRaiders-SwamisReef(2-28).mp3,2979840
5799,N,Surf-SurfRaiders-WaveWalk'n(2-16).mp3,2185218
5800,N,Surf-SurfTeens-Moonshine(1-54).mp3,1834132
5801,N,Surf-Swagmen-Apache(3-23).mp3,3249176
5802,N,Surf-Swagmen-Baja(2-53).mp3,2770412
5803,N,Surf-Swagmen-Bluey(2-54).mp3,2786780
5804,N,Surf-Swagmen-CruelSea(2-28).mp3,2377580
5805,N,Surf-Swagmen-DiamondHead(2-33).mp3,2463512
5806,N,Surf-Swagmen-Drivin'Guitars(2-30).mp3,2402132
5807,N,Surf-Swagmen-FlingleBunt(3-22).mp3,3245084
5808,N,Surf-Swagmen-GhostRiders(3-09).mp3,3024116
5809,N,Surf-Swagmen-GinzaLights(2-28).mp3,2373488
5810,N,Surf-Swagmen-JohnnyGuitar(3-22).mp3,3240992
5811,N,Surf-Swagmen-Midnight(2-44).mp3,2631284
5812,N,Surf-Swagmen-Movin(2-10).mp3,2103416
5813,N,Surf-Swagmen-MrMoto(2-19).mp3,2230268
5814,N,Surf-Swagmen-PeacePipe(2-22).mp3,2287556
5815,N,Surf-Swagmen-Penetration(2-14).mp3,2144336
5816,N,Surf-Swagmen-Perfidia(2-09).mp3,2066588
5817,N,Surf-Swagmen-Pipeline(3-24).mp3,3265544
5818,N,Surf-Swagmen-Prairie(2-45).mp3,2651744
5819,N,Surf-Swagmen-PursuitOfTheLeatherGirls(1-35).mp3,1534628
5820,N,Surf-Swagmen-RunningWild(2-20).mp3,2254820
5821,N,Surf-Swagmen-StreetsOfDesire(3-44).mp3,3584720
5822,N,Surf-Swagmen-SurfRider(2-44).mp3,2631284
5823,N,Surf-Swagmen-ThemeForYoungLovers(2-54).mp3,2799056
5824,N,Surf-Swagmen-WonderfulLand(2-22).mp3,2283464
5825,N,Surf-TheCocktailPreachers-AlbatrossJoe(2-04).mp3,1992932
5826,N,Surf-TheCruncher-TheRebel(1-53).mp3,1817414
5827,N,Surf-TheSeaShells-HitTheSurf(3-34).mp3,5155247
5828,N,Surf-TiescoDelRey -PierPressure(2-22).mp3,2275280
5829,N,Surf-TijuanaHitSquad-01-ElPerversio(2-33).mp3,2451236
5830,N,Surf-TijuanaHitSquad-02-TijuanaHitSquad(3-33).mp3,3416948
5831,N,Surf-TijuanaHitSquad-03-ConvictMan(2-55).mp3,2807240
5832,N,Surf-TijuanaHitSquad-04-AHitGoneWrong(2-15).mp3,2160704
5833,N,Surf-TijuanaHitSquad-05-You'reJustLikeMe(2-48).mp3,2696756
5834,N,Surf-TijuanaHitSquad-06-IRememberYou(1-50).mp3,1771964
5835,N,Surf-TijuanaHitSquad-07-Conductor(2-19).mp3,2230268
5836,N,Surf-TijuanaHitSquad-08-LastTimeISawCole(4-44).mp3,4550432
5837,N,Surf-TijuanaHitSquad-09-TheDayIGotMySpineBack(3-12).mp3,3073220
5838,N,Surf-TijuanaHitSquad-10-DevilTookMrsJenkinsToHell(3-40).mp3,3535616
5839,N,Surf-TijuanaHitSquad-11-She'sASnake(2-16).mp3,2185256
5840,N,Surf-TijuanaHitSquad-12-Goin'ToWitchata(3-30).mp3,3371936
5841,N,Surf-TijuanaHitSquad-13-PrisonShank(2-38).mp3,2541260
5842,N,Surf-TijuanaHitSquad-14-TheInterview(2-29).mp3,2393948
5843,N,Surf-TijuanaHitSquad-15-DadWhyDidMyFriendsExplode(3-01).mp3,2901356
5844,N,Surf-TommyBoyce-WhereTheActionIs(2-05).mp3,2013392
 5845,N,Surf-Tornadoes-Bustin'Surfboards(2-26).mp3,2344844
5846,N,Surf-Tornadoes-Bustin'Surfboards(2-28).mp3,2377580
5847,N,Surf-Tornadoes-Bustin-Surfboards(2-28).mp3,2383331
5848,N,Surf-Tornadoes-Telstar(3-20).mp3,3207168
5849,N,Surf-Tornadoes-TheGremmie(2-32).mp3,2438960
5850,N,Surf-Tornadoes-ThePhantomSurfer(2-24).mp3,2315401
5851,N,Surf-UrbanSurfKings-BigSurfAtBlackPoint(2-07).mp3,2042036
5852,N,Surf-UrbanSurfKings-BricktonFlats(2-22).mp3,2281472
5853,N,Surf-UrbanSurfKings-EspressoTwist(2-22).mp3,2279372
5854,N,Surf-UrbanSurfKings-GiantCow(2-40).mp3,2571412
5855,N,Surf-UrbanSurfKings-LegendOfBogRoad(2-16).mp3,2185256
5856,N,Surf-UrbanSurfKings-MojaveHadji(2-29).mp3,2389856
5857,N,Surf-UrbanSurfKings-NightFlightToVenice(3-44).mp3,3594240
5858,N,Surf-UrbanSurfKings-SevenFacesOfDrSurf(3-08).mp3,3020800
5859,N,Surf-UrbanSurfKings-SurfKingsStomp(1-50).mp3,1775574
5860,N,Surf-UrbanSurfKings-TwistedBrain(3-11).mp3,3057037
5861,N,Surf-Ventures-BanzaiPipeline(3-50).mp3,3691112
5862,N,Surf-Ventures-BarefootVenture(2-09).mp3,2078864
5863,N,Surf-Ventures-BeyondTheReef(3-00).mp3,2892440
5864,N,Surf-Ventures-BongoRock(2-23).mp3,1876096
5865,N,Surf-Ventures-BumbleBeeBoogie(2-32).mp3,2435994
5866,N,Surf-Ventures-ChangingTides(2-54).mp3,2786780
5867,N,Surf-Ventures-Cruisin'Machine(3-54).mp3,3752492
5868,N,Surf-Ventures-Cruncher(2-22).mp3,2279372
5869,N,Surf-Ventures-DiamondHead(2-06).mp3,2025668
5870,N,Surf-Ventures-Diamonds(2-09).mp3,2078864
5871,N,Surf-Ventures-Flashback-Live(2-48).mp3,2700848
5872,N,Surf-Ventures-GreentHornet(2-02).mp3,1952287
5873,N,Surf-Ventures-GuitarTwist(2-19).mp3,2226304
5874,N,Surf-Ventures-HawaiiFiveO(1-50).mp3,1767872
5875,N,Surf-Ventures-HotButteredPopCorn(2-33).mp3,2449972
5876,N,Surf-Ventures-LetsGo(2-20).mp3,2254848
5877,N,Surf-Ventures-LetThereBeDrums63(2-16).mp3,2176544
5878,N,Surf-Ventures-NightDrive(2-17).mp3,2197532
5879,N,Surf-Ventures-NightTrain(2-53).mp3,2778182
 5880,N,Surf-Ventures-NinthWave(2-06).mp3,2029760
5881,N,Surf-Ventures-PartyInLaguna(2-15).mp3,2172980
5882,N,Surf-Ventures-Penetration(2-07).mp3,2033852
5883,N,Surf-Ventures-Penetration-Live(2-06).mp3,2029760
5884,N,Surf-Ventures-Percolator(2-11).mp3,2107646
5885,N,Surf-Ventures-Perfidia(2-05).mp3,2003600
5886,N,Surf-Ventures-Pipeline(2-17).mp3,2197532
5887,N,Surf-Ventures-Pipeline-Live(2-10).mp3,2082956
5888,N,Surf-Ventures-RadicalGuitars(2-13).mp3,2670365
5889,N,Surf-Ventures-SurfingMedley(3-43).mp3,3572444
5890,N,Surf-Ventures-SurfRider(2-16).mp3,2176850
5891,N,Surf-Ventures-TeenBeat(4-03).mp3,3895712
5892,N,Surf-Ventures-TenOver(1-58).mp3,1894724
5893,N,Surf-Ventures-Tequila(2-44).mp3,2686976
5894,N,Surf-Ventures-TheHeavies(1-45).mp3,1690124
5895,N,Surf-Ventures-ThemeFromTheEndlessSummer(2-07).mp3,2033792
5896,N,Surf-Ventures-TwilightZone(2-34).mp3,2468760
5897,N,Surf-Ventures-Wailin(1-43).mp3,1660679
5898,N,Surf-Ventures-WalkDon'tRun(2-03).mp3,1972472
5899,N,Surf-Ventures-WipeOut-(2-38).mp3,6344039
5900,N,Surf-Ventures-WipeOut-Live(4-02).mp3,3887528
5901,N,Surf-Ventures-WipeOut-LiveJapan65(3-32).mp3,3411968
5902,N,Surf-Ventures-YozoraNoHoshi-Live(3-32).mp3,1796516
5903,N,Surf-Wipeouters-P'Twaang(2-49).mp3,3750112
5904,N,Surf-Wipeouters-Ravin'Surf(7-11).mp3,10467239